Author: John D. (Page 130 of 202)

Autumn moon festival (Kamigamo)

Priests lead a procession of those involved in the ritual of thanks to the kami for the blessings of the autumn full moon

 

Today it was the turn of Kamigamo Shrine in Kyoto to celebrate the autumn moon, though it’s already visibly waning.  It’s a new festival, only started recently, and doesn’t have anything like the full programme and traditional atmosphere of its sister shrine, Shimogamo.  Consequently, despite the superb weather, crowds were small and the feeling more like a small village fete. Still it’s always nice to celebrate an equinox.

Miko waving sakaki branch over participants while shaking suzu bells

The event started in the afternoon and there were a few items of interest, with a local taiko band, various stalls, and a public rite of thanksgiving for the beauty of the full moon. This took place in the late afternoon while it was still light, and was performed on a stage sideways on to the audience watching.

It’s not often one gets such a clear view of a Shinto ritual, complete with kami-oroshi (descent of the kami) and kami-okuri (sending off of the kami).  A running commentary by a priest with a microphone not only explained the names of each part of the ritual, and who was doing what, but made sure the small audience all stood and bowed at the correct time.

A Kansai University professor, friend of one of the priests, came up with the idea of covering a white paper orb with calligraphy of wishes. (See photo below.) His idea was then to generate electricity from a cycle to light it up in the evening as a moonful of hopes for a better world.

I took the opportunity of the great weather to stroll up the hill to the side of the shrine, where there are views over Kyoto towards the eastern hills.  There were several small shrines, with a decidedly syncretic feel, which surprised me.

In amongst the shrines to Inari, Ryujin and Konpira, I noticed a dedication to the Buddhist deity Fudo-myo.  It seemed quite apt somehow, for moon-viewing is common to both temples and shrines.  Indeed, the custom is said to have been introduced from China about 1200 years ago and practiced by Emperor Saga at Daikoku-ji, where one of Kyoto’s most elegant moon-viewing parties is held in the form of boats full of Heian-era musicians floating over the silvery reflections.

A priest holding the 'purification wand' – a branch of sakaki with some hemp string attached

Reading of the Norito praayer before the temporary altar (himorogi)

A miko performs an ancient kagura dance

A priest photographs the kagura performance with live gagaku music

The 'full moon' of people's hopes and wishes

Island pilgrimage

View from Shiraishi Island over the Inland Sea (Okayama Prefecture)

 

Nice article today in the Japan Times by friend Amy Chavez, who writes of the mini 88-pilgrimage on her Inland Sea island of Shiraishi. I’m a huge fan of the island and have spent happy times there. I’ve also done several parts of the trail, which for a small island is surprisingly lengthy.  (For my take on Shraishi, see here.)

Though the trail belongs to the Shingon sect of Buddhism, it’s syncretic in nature and many of the shrines have Shinto-style shide (paper strips), sakaki or other Shinto trappings.  The founder of Shingon, Kukai, recognised the existence of kami, and the founding myth of his headquarters at Koya involves the mountain’s kami (as described here).

Amy’s article highlights the problem of rural areas in keeping up traditional ways.  Some of these are immemorial and recall a way of life dating back some 2000 years which was based on the agricultural cycle of wet-rice cultivation.  For many ancient practices, it may sadly be the end of the line as depopulation and an aging society take their toll.

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The ancient pilgrimage routes and the local community
BY AMY CHAVEZ SEP 20, 2013 Japan Times

As I headed out the door to do some trail running in the national park behind my house, I was surprised to make it only a few hundred meters before I was stopped dead in my tracks. The dead part was a tree that had fallen over the trail over a month ago and had yet to be removed. No problem. I went back home, got a hand saw, cut up the tree and cleared the trail. Now run!

The Fudo-myoo rock on Shiraishi island

A few hundred meters on, I was stopped again. Another tree down! I went home again, got the saw, cut up the tree and cleared the trail. Each tree removal took about 30 minutes. Now run!

But the rest of the trail was in no better condition. More trees and branches were strewn over the path, some of the debris more recent than the others. Some branches had even already been hacked in two by passersby to make the trail more passable. Yet other sections of the trail were completely overgrown with weeds.

But this is no ordinary nature trail. It’s the 7 km Shiriaihi Buddhist Pilgrimage route, which takes you around the island through forests, past 88 designated sacred sites on the island. Each site has a small stone statue of Kobo Daishi accompanied by another stone deity. Each shrine has its own history and meaning, based on the famous 88-temple Shikoku Pilgrimage.

So why is the trail — in a national park no less — in such poor condition? What happened?  What we’re witnessing is the slow, painful death of an island community.

Ever since I moved here in 1997, I’ve taken part in the pilgrimage cleanups that happen twice a year: once in the spring and once in the fall. Each of the eight neighborhoods on the island is in charge of a swath of the pilgrimage route. Our neighborhood, in charge of sites 10 to 17, has a dozen or so people who participate in this “obligatory volunteer” activity. In other words, you’re expected to take part unless you are either bed-ridden or dead.

An unusually brightly coloured shrine on the pilgrimage

Indeed, I’ve always been fascinated at how agile and strong my elderly neighbors are. Rikimatsu-san, for example, an 80-year-old retired fisherman, climbs up and down the steep trails with no problem at all — while operating a gasoline-powered weed eater! The not-so-nimble (and there are only a few) attack the trails with rakes, hand saws and that all-round marvel tool, the Japanese scythe.

Basically, anything in the way gets cleared by the mad elderly brigade! Then there is my husband and I, as well as a few other young couples in our neighborhood, who also do our part. Not only that, but the younger couples have children who are almost in their teens — certainly old enough to pitch in. At the end of a typical three-hour cleanup, drinks and snacks were served and we’d all sit around and have a bit of a social hour.

So when spring came around again this year, I was looking forward to our spring cleanup. “Ladies and gentleman, sharpen your scythes!”

But when I talked to my neighbor Kazu-chan, she said, “Oh, we’re not doing it anymore. Everyone is too old.” Um, we are? Have I hyper-aged to the point that at 50, I can no longer decapitate weeds with a scythe? Had this age epidemic affected the other young couples in the neighborhood, too?

But it gets worse. Not just our neighborhood, but all the neighborhoods have pulled out of the cleanup. In one of those typically Japanese “all or none” decisions, rather than just take the pressure off the elderly to participate, they canceled the entire activity! And now, just a few months later, a 400-year-old pilgrimage path is impassable.

Another of the 88 shrines on the pilgrimage trail, neatly tucked between rocks

While I understand that some of our island’s ancient Buddhist and Shinto ceremonies will die because there are no young people to carry them on, I never imagined we’d give up on a path through the mountains that merely needs a few hours of cleaning once in the spring and once in the fall. I apologized to Mother Nature for this wholesale abandonment of her gifts.

Many tourists have commented that the Shiraishi Pilgrimage impresses on a level that the Shikoku Pilgrimage cannot because this pilgrimage is devoid of people, buildings and commercialism.

This is pilgrimaging in its pure form, the same as it was 400 years ago. There are no groomed or fabricated trails, no fake steps built into the path, no handrails to make it easier. It is a pilgrimage through time and nature, dotted with carpets of moss, tables of rock and lined with Buddhist statuary. There are no signs showing the way, just a map showing the route. With your map, you can borrow a compass to help you navigate, but no GPS. On the Shiraishi Pilgrimage, it’s just you, nature and the gods.

The 88 sacred sites with their gods that we so faithfully looked after for hundreds of years — and who, in turn, looked after us — we are now leaving behind. The deities will no longer receive fresh sakaki branches, flowers or offerings by pilgrims. Among the detritus of the forest will be abandoned Jizos with their knit hats and bibs on.

Hidden behind tall weeds and yoshinoki bamboo grass will be Kannon, Goddess of Mercy, who put off her own enlightenment to bring salvation to us all! Soon they will be the last inhabitants of an abandoned forest, unfindable to even those who dare to search.

I’ve been told that the government can’t give money to save these old Buddhist pilgrimages because people complain when public money is given to support religious activities.

But let’s not confuse religion with spirituality. Nor history. Nature has always been at the heart of Japan’s spirit. Have we given up on becoming one with nature? If nature is man and man is nature, then abandoning nature is the dumbing down of the human spirit.

Is it not our responsibility to preserve these historical paths, these ancient routes worthy of inspiring wandering poets like Matsuo Basho? What will happen if we can no longer wonder nor wander? I don’t know about you, but I want the dirt road, the road less travelled.

When I ran on these trails before, I thanked the gods for this beautiful pilgrimage route. Now I apologize, and ask their forgiveness.

No. 69 on the trail. Each of the 88 shrines has its own distinctive character.

 

A beach shrine, prompting one to wonder how the traillblazers decided on the apparently haphazard locations. Was it topography, or simply inspiration?

Harvest moon celebration

 

Full moon rising over Shimogamo Shrine

 

Tonight was full moon in Kyoto – the fullest of the year, in fact.  The September moon has long been an object of special attention in Japan, and the moon-viewing parties of the past were a time for poetry and reflection. Drinking saké with friends and admiring the beauty of the plump, bright orb was a rite of the changing season as summer evenings slipped into early autumn.

A harvest Moon!
And on the mats-
Shadows of pine boughs.
–Takarai Kikaku (1661-1707)

Kagura dance - A Chinese king with a mask ready for battle

The tradition is kept up in many places, one of them being Shimogamo Jinja here in Kyoto.  It’s a delightful affair, lasting from 5.30-9.00 with a full programme of events taking place within the shrine compound.  On one side is an ongoing tea ceremony; on the other a stage for recitals of music and dance.  Beyond the stage, and from behind the trees of the Tadasu woods, slowly spreads the silvery glow of the rising moon.

On the programme this evening was shakuhachi, flute, koto, kagura dance, then shakuhachi and koto again, ending with a classic dance that told of a Chinese king who had beautiful features but when he fought in battle he wore a mask in order to look more frightening to his enemies.

Koto players on stage at Shimogamo Shrine

On the various stalls were green tea, sweets, souvenir rice crackers and Mitarashi dango (dumplings).  [Mitarashi is the name given to streams that run through shrine precincts and are used for purification.]  At the end people carried away plants and pampas grass too that had been used at the shrine to place in their homes for protection.

It was an altogether wonderful occasion that gave one pause for thought about the wonder of the universe and the passing of the season.  It’s part of what makes Shinto so special at times.  In the harbouring of tradition and the enjoyment of nature can be felt both the ancestral and animist sides of the religion at their best.

 

Set of full moon ritual offerings, including 'tsukimi dango' (moon-viewing sweet dumplings)

Elegance in action: tea ceremony at Shmogamo Jinja

Stirring the tea so that miko can present it to participants

Full moon over Kyoto's eastern hills (taken from my veranda)

Fuji problems

Fuji at night... like a downtown city. (Photo AP/ David Guttenfelder)

 

Mt Fuji is the country’s most famous goshintai (spirit body).  Yet as a sacred mountain, its popularity is troublesome in terms of pressure on the environment.  Its recent elevation to World Heritage status looks likely to exacerbate the situation, as the following article makes clear.

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Mount Fuji’s World Heritage status worries some
By ELAINE KURTENBACH  Japan Today SEP. 15, 2013
They trudge up well-trod cinder paths by the thousands, headlamps glowing in the dark, and then settle in, shivering, to await and cheer the sun’s blazing ascent over the horizon.

Climbing Mount Fuji, Japan’s most iconic landmark, is a group activity: Seldom is it climbed in solitude. The recent recognition of the 3,776-meter (12,388-foot) peak as a UNESCO World Heritage site has many here worried that will draw still more people, adding to the wear and tear on the environment from the more than 300,000 who already climb the mountain each year.

Fuji dawn (photo AP/David Guttenfelder)

Safety is another concern. At least seven people died and 70 were hurt climbing Fuji In 2012, and traffic jams of climbers in the pre-dawn darkness can add to the risks, says Shomei Yokouchi, governor of Yamanashi, the area to the west. The official climbing season runs July to August, and the trek — nine hours round trip in good weather — is especially treacherous other times of the year.

Mount Fuji’s near perfect cone was created by an eruption thousands of years ago that buried earlier peaks, and pilgrims have been climbing to it for centuries — though women have been allowed only since 1868. It towers over the Pacific coast, ringed by lakes, national parks, temples and shrines that are also part of the World Heritage site.

The new status, granted in June, will likely help area businesses — a welcome boost given the economic decline in most of rural Japan. Local authorities are puzzling, however, over how to preserve its natural beauty while improving traffic access and other facilities to accommodate the anticipated increase in visitors.

Some have suggested limiting access by raising tenfold the 1,000 yen ($10) climbing fee. But that might lead climbers to risk hypothermia by roughing it outdoors instead of staying in the 16 huts along the top of the trail, which charge up to $100 a night for cheek-by-jowl communal accommodations.

(Photo AP/ David Guttenfelder)

“With more foreigners visiting, we will need to think of improving the facilities,” Gov. Yokouchi says, noting that the installation of composting toilets has helped. “They are cleaner than before and the smell’s not so bad, but there are not enough of them.”

Then there’s the litter.

Each year 40,000 to 50,000 volunteers clean up garbage on the peak. Groups collected nearly 900 tons to prepare for June’s World Heritage vote by UNESCO, the U.N.‘s cultural organization.

The designation is something to be proud of, says Hisataka Kurosawa, a 16-year-old high school student who recently joined a group of volunteers who climbed part of a trail and then scrounged around a car park near a visitor center, collecting several big bags worth of oil cans, cigarette butts, car parts and candy wrappers.

“It’s getting polluted and so many people are running around. I’m a bit disappointed about that,” he says.

The volunteers were led by Toyohiro Watanabe, a former local government official who runs a civic group called Groundwork Mishima.

It’s not just the crowds that worry him. He also frets over acid rain from sea water mixed with emissions from factories on the coast. Over invasive plant species, such as the bamboo grass that grows thick along the roadsides, obscuring some of the litter tossed from passing vehicles.

Global warming may be contributing to huge fissures on Fuji’s slopes prone to erosion and landslides, he says. “Although Fuji has a power of its own, it is being influenced by global warming and other factors,” Watanabe says as he looks for trouble spots in some of the most frequented areas. “It is getting weaker.”

Though it last erupted in 1707, Mount Fuji remains an active volcano; Japanese seismologists watch it closely. The bigger risk, though, is from accidents.

Fuji is hardly steep, but its high elevation and fickle weather can make it a hazardous climb. “There are rock falls, and sometimes people are unable to get out of the way,” Yokouchi, the Yamanashi governor, says.

UNESCO has long acknowledged the risks to World Heritage sites, both from natural disasters and unsustainable levels of tourism. Even for a country as wealthy as Japan, tight budgets mean fewer resources available to support conservation.

Sunrise on Fuji is a big event – if you can see it for the crowds

Deer dance

The Deer Dance with beating drums.  The Deer Dance is an Iwate prefectural cultural asset. (Photo by Nathan Hill)

 

Japan Today carries a report on an interesting Deer Dance in Tohoku which took place at the weekend.  I’ve never seen this myself, but it’s suggestive of the kind of deer shamanism practised in the northern hemisphere (Siberia and Finland for example).  I can’t help wondering if this is a relic of the northern immigrant route from Siberia into north Japan.

Oddly the dance is known in Japanese as Shishi Odori, since Shishi dances are usually the Chinese-style lion dances, but a poster to Japan Today provides a simple explanation for the nomenclature: “historically ‘shishi’ meant any kind of animal that yielded edible meat. In Tokyo there’s a district called 鹿骨 Shishibone, with ‘shika’ (deer) pronounced ‘shishi’.” Nonetheless in this youtube video, the dancers have antlers with a lion mask and mane, as if some weird hybrid. Perhaps a member of the deer clan married with a member of the lion clan?!

According to a website on religion in Japan’s Yayoi Era (300 BC – 250 AD), people worshipped a deer deity since its antlers were shed and grew again on a yearly cycle.  It thus came to represent regeneration, growth and fertility.  Farmers sowed seeds in deer blood to speed up the germination process.  Perhaps then these dances are a legacy from the ancient belief.

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Taken from the Hanamaki City website:

The dynamic Deer Dance is widely recognized as the representative local performing art of Iwate. Enjoy the beat of drums and the dramatic action of the white bamboo horns, sasara.

The Deer Dance, performed to pray for peace and drive away evil spirits, is registered as a prefectural cultural asset.  Each performer dances while singing and beating a drum. You can see about 30 teams dance during the Hanamaki Festival.

The following is a poem by Kenji Miyazawa, entitled “Plateau”:

It could be the ocean, I thought,
but it was shining, green hills.
Ah,
My hair blowing in the wind
looks like the deer dance !

[A poster called Seiharinokaze comments: ‘Miyazawa Kenji wrote about the true spirit of Shishiodori in one of his fairy tales. It’s about an immense feeling of love which was not divided yet. Men of old forgot the distinction between themselves humans and deers and even tried to dance with them. That spirit is a legacy of Tohoku people.’]

Kasuga School
Many deer dance teams belong to the Kasuga school, which is a branch of Kasuga Ochiai Deer Dance. They have a quiet and calm dancing style.

Kanazu School
The Kanazu school, based in Oshu City (old Esashi City), has a dynamic dancing style compared to the Kasuga school. Hanamaki has its own Kanatsu team.

Where to see the Deer Dance

• Hanamaki Festival (held on the second Friday, Saturday and Sunday of September)
• Hanamaki Hot Spring (fee charged; reservation required)

Shugendo in Europe (2)

Christian Grübl in the midst of the Koshikidake group with whom he trained

 

This is the second part of an interview with Christian Grübl, a qualified Yamabushi monk who is introducing Shugendo to Austria.  (For the first part, click here.)

Personally, as someone who spent childhood holidays at Wolfgangsee in the Austrian lake district,  I’m delighted to learn of the coming of mountain asceticism to the glorious Austrian landscape.

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Procession of yamabushi mountain ascetics n full regalia (all photos courtesy Grübl)

4) Could you tell us about the students and what kind of
 activities you engage in?
First I have to say, that Soke Koshikidake is the only teacher and grand master of a Shugendo line who allows foreigners to learn and practice Shugendo.  It is impossible for non-Japanese to get accepted into one of the three big Shugendo schools. Further there are big differences in methodology and concept of the way of Shugendo in the different schools.

There are a lot of Yamabushi in Japan who only meet once a year to participate in a Mine Iri (‘entering the mountains’).  In our school regular practice is very important to grasp the core meaning of the different prayers and to make a connection to the gods.

In Austria I teach what I am able to and have been authorized to: Fudo Myo Rosary Prayer, the Senko Goma fire ritual, the Enno Gyoja 
prayer, Horagai (conch shell trumpet) and the basics of Shugendo.

5) What changes or modifications have you had to make? What about the language for instance? And what about the kami or deities?
Through my studies I gained a new respect for nature and the universe. I learned that everything comes back to you eventually, be that in a good or bad way. Shugendo is not just a religion consisting of Buddhist and Shintoist teachings, but also a way of life that teaches us to see the true values in life.

Unfortunately I do not speak Japanese, but that is not a problem, since Soke Koshikidake is fluent in English. Reading the Japanese texts does require some practice, but after getting used to it, even that works fine. 

 My teacher translated a lot of the countless old Densho which are family property of the Koshikidake family into English, and therefore it is possible for everyone to grasp and understand the meanings.

Christian performs cold water rites to a conch-shell accompaniment

We have a myriad of gods (Kami) which we worship. Since Shugendo is a mixture of Vajrayana Buddhism and Shinto, we worship the same gods. Our main god apart from the Nyorai, Bosatsu and Gongen is Fudo Myoo and also the Shinto gods like Izanagi and Izanami no Mikoto.

6) How do you see things developing in future?  Do you think that
 Shugendo will take root in Europe, much like kendo and aikido etc.?
Soke Koshikidake is working on building a worldwide organization at the moment.  In digital times like ours there are a lot of ways to reach interested people.
  An all-encompassing Shugendo book by Soke Koshikidake will soon be available, and it will also be available in English and German.  In Canada and America Stephen Ip, another one of Soke’s 
students, will take care of distribution, and I will do the same in Europe.

Because of the broad spectrum Shugendo covers, it can be 
interesting and possible to learn for everyone. It is important to make this tradition available worldwide, so that foreigners can also travel to Japan and be part of a ‘mountain entry’.

When we practice Shugendo we try to stay as close to the original practiced in Japan.  Even the mountain training is very similar, because we have the same opportunities in the Austrian Alps as we do in Japan.

  Whether the chance to succeed abroad is higher than for other Asian traditions is not important.  The important part is that it is freely accessible and finds its way all around the world as the Koryu tradition.

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For further information about Christian’s activities, visit his websites:
http://www.shugendo-austria.org/
http://www.yamabushi-dojo.org/

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Christian leads the way in one of the fire rites

 

Misogi (cold water rites, an essential part of Shugendo

 

An indoor recital of prayers

Conch-shell blowing requires good lung power

 

Conch shell practice on Mt Koshikidake in Yamagata Prefecture

Shugendo in Europe (1)

Christian Grübl is pioneering a new path in Austria (photos courtesy Grübl)

 

Shugendo (mountain asceticism) used to be one of Japan’s best-kept secrets, mainly because it was banned by the Meiji ideologues in 1872 and not made legal again until 1942.  That it survived is testimony to its robustness and to the way that mountain worship is rooted in the Japanese psyche.  Now it’s spreading abroad.

When I visited Dorogawa near the Omine mountains to explore Shugendo for myself, I kept hearing about a Frenchman who was well known in those parts for his accomplishments.  Later I discovered that he had set up a Shugendo project in France, the website for which has achieved a certain fame for its authoritative information.

Now news comes of a Shugendo operation in Austria, and Green Shinto is delighted to carry an interview with Christian Grübl, the pioneering spirit in this project.  Free of the ‘baggage’ that goes with mainstream Shinto, Shugendo offers Westerners a real chance to engage in authentic ‘back to nature’ spirituality.  I believe its time has surely come!

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Christian Grübl, who is a qualified 'yamabushi' mountain ascetic

1) How did you come to practice such a very Japanese activity in a country like Austria?
As a kid i started to train in the Japanese martial arts Ninjutsu and Karate, and soon afterward I saw Bujutsu as my way of life.

When one looks into the arts of the Shinobi [high-level ninja], then you come across the Yamabushi [mountain ascetics] because their clothes were often used as camouflage in the art of Hensojutsu when infiltrating.

We also know the practice of Kuji-in and Kuji-kiri from Hollywood movies (where it is portrayed completely wrong). These are typical practices from Shugendo.

Around ten years ago I started to intensify my studies of Shugendo and studied in France for a while with a French Mikkyo monk. By coincidence I met my teacher Shokai Koshikidake thanks to digital media, and now I study every year with him in Japan.

2) You say you are a Yamabushi Monk of Koshikidake Koryu. Can you explain what that means exactly, and what does it involve?
I used to be a non-believer and didn’t really know what to do with 
prayer.  While studying Japanese mythology and my studies about Shugendo I discovered a completely new world for myself.  I realized that the practices and prayers which I learned did have an effect.

Inauguration ceremony in Kannonji Temple

My teacher too felt that I was very serious about Shugendo. At one time he asked me if I wanted to receive “Tokudo” – the inauguration to be a Shugenja. This was one of the most important moments of my life, a huge honor, but also tremendous responsibility.

In the 1400 year old Koshikidake tradition I was now the first European who would bring this way, this religion, to Europe and also have the authorization to teach it.

3) How did you go about setting up a group in a country with no 
practitioners?
I think that by now more people are interested in old Asian culture and arts in the West than in Asia itself. In Japan most young people go dancing and want to have fun – which is completely OK. Unfortunately some very important things get lost and traditions die out. By contrast the interest in Martial Arts, Meditation and Japanese religion here in Europe is huge.

Two big TV Stations already produced short documentations about 
Shugendo. The only “problem” is that a lot of people think that 
Shugendo only consists of Waterfall Meditation and Firewalks, since the media like to show these practices.

Once a year I invite people to the Austrian Alps to take part in a 
waterfall meditation. It is incredible how many people are interested in this rather hard ascetic practice. The problem here in Europe is that we think completely differently than Japanese people, and Europeans often can’t get a grasp of the many different gods of Shinto and Buddhism.

The biggest struggle for people who have no previous experience with Japanese religion is to learn the basics.  I am currently teaching a small group and have also had (guest) students from Russia and Germany already.

(To be continued.)

Practitioners at prayer

 

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For further information about Christian’s activities, visit his websites:
http://www.shugendo-austria.org/
http://www.yamabushi-dojo.org/

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Shugendo in Japan; pictures by John D.

Yammabushi (mountain ascetics) of different ranks, as can be seen by the colour of their pompoms

 

Shugendo has its ranking too, and as in Buddhism deference is shown by shading the most senior with an umbrella

 

Blowing a conch horn is a prized skill in the mountains

 

A whole line of 'horagai' (conch-shell) blowers at Shogo-in temple in Kyoto

 

Procession of yamabushi mountain ascetics belonging to the Tendai branch of Buddhism

 

No cigarettes, but you have to like smoking when attending Shugendo fire festivals!

 

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