Author: John D. (Page 137 of 202)

Fuji opening day

First sunrise of the climbing season on Mt Fuji

 

July 1 was the official opening of Fuji’s climbing season, which lasts for two months until the end of August. The event is accompanied by Shinto ceremonies at the Sengen shrines associated with worship of the mountain.

Since I was travelling to Tokyo that day, I stopped off at Shizuoka to visit Miho no Matsubara, part of the mountain’s World Heritage registration. It’s a beech with a famous view of Fuji, painted by Hokusai. Unfortunately the sacred mountain was shrouded in cloud, with not a peak or bump to be seen. Ah well, perhaps it’s saving itself for a better occasion…

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Hiking enthusiasts flock to Mount Fuji as climbing season opens

KYODO JUL 2, 2013

SHIZUOKA – Hikers flocked to Mount Fuji on Monday as Japan’s highest mountain, which last month was added to UNESCO’s World Heritage List, opened for the climbing season.

At the 3,776-meter summit, climbers cheered as the sun broke through the clouds at around 4:40 a.m. Monday.

They trekked up the mountain, which straddles Shizuoka and Yamanashi prefectures, after three of its four climbing routes opened at midnight Sunday. Another route, from Fujinomiya, Shizuoka Prefecture, will be completely opened by midnight next Sunday.

The mountain’s registration on the world heritage list is expected to attract more climbers this year, so the authorities will face a greater challenge to ensure adequate safety measures are in place and to protect the environment.

To help preserve the environment and fund safety measures, the two prefectures will charge a ¥1,000 admission fee on a trial basis for about 10 days from July 25 near the halfway points, and conduct a survey of climbers about the admission fee.

About 350,000 to 400,000 people climb the mountain every year, according to the Yamanashi Prefectural Government.

Since it takes about six hours to climb the mountain by the Fujinomiya route and longer by the other routes, most climbers stayed overnight at mountain lodges to catch the sunrise from the peak.

An official ceremony was also held at a Shinto shrine in Fujinomiya to pray for the safety of hikers this season, with Shizuoka Gov. Heita Kawakatsu and Fujinomiya Mayor Hidetada Sudo attending.

Miho no matsubara - no sight of Mt Fuji from the beach, but a small shrine and sacred tree: the famous pine of Hagoromo

 

Pilgrimage

Green Shinto friend, Amy Chavez, has an article on pilgrimage in The Japan Times, which follows below.  She’s the author of the recently published Running the Shikoku Pilgrimage: 900 Miles to Enlightenment.

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Amy Chavez making offerings at one of the shrines on the mini-88 temple course on the Seto Naikai island of Shiraishi, where she lives

Exploring Japan’s ancient past through pilgrimage
BY AMY CHAVEZ    JUN 29, 2013  Japan Times

I’ve been running pilgrimages in Japan since 1997. So far, I’ve run the Shikoku 88-Temple Pilgrimage, the Mount Hiei Kaihogyo route in Kyoto (of the Tendai-shu monks), and tens of other smaller pilgrimages in Japan. If you are a runner in Japan, you should be running pilgrimages. If you’re a hiker, you should be walking or hiking them.

Pilgrimages are spiritual domains that encompass mountains, waterfalls, sacred rocks and miracle spots. There are pilgrimages to sacred places (reijo) such as the Kumano route to the Three Grand Shrines, or the Ise Shrine Okage Mairi that celebrates the Shinto goddess Amaterasu.

There are also circuit pilgrimages (junrei) such as the Saikoku Kannon Pilgrimage, a 33-temple route and the Shikoku 88-Temple Pilgrimage route (both Buddhist). On the Shikoku pilgrimage, the pilgrim visits a circuit of 88 sites that form a mandala, or spiritual map to the cosmos. In addition, there are hundreds of smaller pilgrimages, and replica pilgrimages throughout Japan. So, why not take your chances on the spiritual walking path?

These ancient pilgrimages are still alive and well in Japan, but most people don’t know about the smaller, lesser-known routes. The Japanese know, but they see them only for their original purpose: offering prayers to the various kami, bodhisattvas and Buddhas. And these days, few people are interested in doing this. It’s a wonder the Japanese have not thought of using the paths and infrastructure for exercise purposes instead. To my knowledge, the bodhisattvas are not opposed to a little exercise.

Pilgrims on their way to visit Nachi Shrine in Kumano

These pilgrimage routes offer plenty of diversions for the avid hiker or runner: a chance to bushwhack, get lost, fight off spiders and search for viable toilets. But with the proper preparation and practice, even these things will no longer be obstacles. The rewards for “following the path” are tenfold. A pilgrimage is a magical world you step into, brimming with history, beauty and solitude. And since few people are aware of them, you’ll have the whole route to yourself. Toilets too.

On these smaller pilgrimages, you will never encounter a school group on the trail (“Haro, haro?’), nor paved trails (and thus more shade) and nary a vending machine. Is this Japan?! You say, aghast. Yes, my friend, this is Japan, undiscovered. This is heaven.

The biggest barrier to hiking local pilgrimages is finding them. Despite these routes having been around for anywhere from 400 to 1,000 or more years, they’re usually fairly hidden. There’s probably a pilgrimage in your own neighborhood disguised among the buildings and concrete, but they are relics of Japan’s past and the Japanese people themselves have little interest in them.

So when it comes to asking around your neighborhood, look for a pious 80-year-old o-baachan. She’ll be able to give you very detailed information. The city or village hall is another good place to start since maintaining these historic routes lies with the local governments who may even have maps of them. You may decide these maps are pretty useless, but at least they confirm that a pilgrimage exists.

In the countryside, there is an interest in preserving the routes for historical reasons, even though the paths themselves are seldom used. Many small towns have a yearly organized pilgrimage route clean-up, where everyone gets together to cut weeds, clear debris and attend to the different gods and goddesses at the designated “stations” along the route. Shortly after, there may even be a neighborhood sponsored group hike to do the pilgrimage. This is the best time to investigate a pilgrimage!  Not only are the trails in their best condition now, but you’ll have some good local guides to show you exactly where the route goes. Modern day roads, traffic lights and buildings may necessitate detours of certain parts of these old routes.  The sacred sites themselves, however, remain.

Ise Jingu,Japan's prime pilgirmage destination in Japan

Most Japanese agree that a sacred site should not be disturbed, and will build around it accordingly. This leads to some interesting arrangements, such as one stone statue of the goddess Kannon on our island pilgrimage who was spared at the local rock quarry and now looks over it (no one was game to move the dame), and a Dainichi Nyorai Buddha who lives in what is now someone’s backyard.  Usually, such people become the caretakers of that shrine. They keep fresh flowers in a vase next to the deity and sweep the area around the shrine.

Other times, a city will grow up around a pilgrimage, and the shrines may seem out of place among the cars, pollution and concrete of the city. You’ll find these deities poking their heads out from behind utility poles, or enduring hoards of passersby who don’t even stop to greet them. Be compassionate. Take pity on these poor stone deities and leave a small offering of some coins or a piece of fruit.

Your pilgrimage is bound to incorporate a bit of the geocaching element combined with the old summer camp intuition of a scavenger hunt as you seek locations of shrines built under large hanging rocks or down mysterious paths.

The trick to knowing a pilgrimage is doing it. The first time on any route, you’re bound to get lost a couple times. But once you know the trail, you can only improve on it and each time you’ll learn something new. It’s also a good idea to take a stick or hand towel with you just in case you meet some wrathful spiders building webs across the trail. Carry plenty of water and take note of the public toilets near each section of the route.

Pilgrimages can take anywhere from a few hours to a few days or even a month (as in the Shikoku pilgrimage) to complete, but most people break them up and do sections at a time. If you only want to do a few kilometers a day, that’s up to you. There are no hard and fast rules to free-form pilgrimaging. You can stop and give a little prayer or a mantra at each shrine, drop a few coins to the deity, or you can simply breeze on past with a friendly wave of recognition. With time, you may find yourself more and more drawn to pilgrimages. When you’re ready, the area residents will be happy to fill you in on the local folklore.

So get out there and indulge yourself in nature! The pilgrimage world awaits.

Descending the sacred Mt Miwa, where a one-hour pilgrimage leads up to the holiest site of early Yamato times

Essay competition

ISSA Shinto Essay Competition, 2013  (Sponsored by International Shinto Studies Association)

1st prize US $ 1,500     2nd prize US $ 1,000      3rd prize  US $    500

Subjects:  1) Izumo and Ise       2) Pilgrimage in Shinto

Regulations
The competition is open to university students (undergraduates, graduates) and researchers. Applicants should submit an essay of no more than 3,500 words (including footnotes and bibliography) on one of the above topics.

Essays will be judged on their originality and the clarity of their argument. Essays should be e-mailed as Word file attachments in 12-point type, double-spaced, on A-4 format to info@shinto.org. All entries must be received before July 15, 2013. Applicants must attach a brief biography (including nationality, current postal and email addresses) on a separate sheet.

Important advice
1. We strongly recommend that non-native speakers of English have their essays checked by a native speaker.
2. It is vital for all applicants to cite all sources used. Failure to do may constitute plagiarism, and lead to the disqualification of the essay submitted. Sources can be cited as footnotes or endnotes. For examples of how to cite sources, the applicant can refer to one of the following: a) The footnotes as used in Japanese Journal for Religious Studies (JJRS articles can be accessed online).  b) The end-notes as used in Breen and Teeuwen, A New History of Shinto, Wiley-Blackwell, 2010.
3. We ask that all applicants append to the essay a bibliography of the sources they have used in the writing of the essay.

Notes
1. Those who have already been awarded prizes in previous years’ competitions are not eligible to participate.
2. All entrants will be notified of competition results, and winners will be publicly announced in October 2013. Winners will receive prize money by bank check. All submissions become the property of International Shinto Studies Association.

Inquiries
Please address all e-mail inquiries regarding the Shinto essay competition to info@shinto.org

Jomon spirituality

The Oshoro stone cirlce in south-west Hokkaido (courtesy Japan Times)

 

It’s sometimes said that Shinto’s roots lie in the Yayoi period (300BC – 250 AD), when incomers from the continent brought in beliefs connected with wet-rice agriculture from Korea and China.  So what was the situation before that?

It seems no one knows for sure about spirituality in the Jomon age (c.14,000BC – 300BC), though archaeologists have put forward theories connected to unearthed items, such as the mysterious dogu featured in a previous posting.  Along with the artifacts are stone circles, normally associated with Britain and northern Europe.

In the article below, the suggestion is that the stone circle here, like Stonehenge, was essentially a place for the dead.  And in the final sentence comes a statement about Jomon people believing that objects had souls.  It seems then that even in Jomon times there was a bedrock of animism and ancestor worship such as underlies modern Japanese spirituality  – though the form it took was undoubtedly of a very different kind from the beliefs that supplanted it in Yayoi times.

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Mystery shrouds the ancient Oshoro circle
BY MICHAEL HOFFMAN in The Japan Times

The Late Jomon period (circa 2400-1000 B.C.) was an age of northward migration. The north was warming, and severe rainfall was ravaging the established Jomon sites, primarily in the vicinity of today’s Tokyo and Nagoya.

Perhaps resettlement stimulated thought, for it coincided with a novel Jomon institution — the cemetery.

“By devoting a special area to burials,” writes J. Edward Kidder in “The Cambridge History of Japan,” “Late Jomon people were isolating the dead, allowing the gap to be bridged by mediums who eventually drew the rational world of the living further away from the spirit world of the dead.”

The Oshoro Stone Circle was probably a cemetery.

It was other things as well, but primarily that, says Naoaki Ishikawa, chief curator of the Otaru Museum, where many of the finds from around this stone circle can be viewed.

It is one of about 30 Late Jomon stone circles scattered through northern Japan. In terms of size it ranks about midway between the smallest enclosures and the largest one at Oyu, Akita Prefecture, bounded by thousands of stones.

No bones have been found to make an airtight case of the cemetery theory, but relatively few Jomon bones have been found anywhere, the acid in the soil claiming them long before the archaeologist’s trowel can.

Why regard it as a cemetery? Partly, says Ishikawa, because of the large number of unidentifiable, and probably ritual, objects unearthed in the vicinity; partly because of the many tools found unbroken, suggesting grave goods; partly also because “graves are among the few things that would have justified the degree of effort involved.

Constructing a stone circle is a major undertaking. You have to flatten the land, quarry the stones, transport them, lay them out. . . . Only something of the highest importance could have taken people away from their daily hunting and gathering.”

Tabata stone circle in Machida city. On the winter sostice, the sun sets exactly over the top of Mt Hirugatake.

Very likely also, he says, it was a market, a trading center for the exchange of tools, local foods, regional products, lacquer — and information, gossip. What would people have said to each other? In what language? Not Japanese, writes archaeologist Richard Pearson in the International Jomon Culture Conference Newsletter. Proto-Japanese, he says, only begins with the succeeding Yayoi culture.

Ishikawa raises another possibility for the Oshoro Stone Circle — that it could have been a trash dump, which would explain the roughly 400,000 tool and pottery fragments so far unearthed there.  “Things may have been brought on purpose to such a site for ritual disposal,” he says.

“To the Jomon, each object, animate and inanimate, housed a spirit. Throwing things away would have been done ceremonially.”

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For an excellent article on the Jomon stone circles, see the Heritage of Japan article here.

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Wonder-ful dogu

 

With Mt Fuji’s registration, World Heritage sites are much in the news at the moment, and in this regard I’ve been looking at Japan’s Tentative List and the twelve sites which are currently waiting their turn to be nominated.  One of them is titled, Jomon Archaeological Sites in Hokkaido and Northern Tohoku, which led me to the wonderful Japanese pottery website and its page on the clay figures known as dogu.

Some dogu are clearly related to fertility, and some are baffling goggle-eyed aliens apparently dressed in space wear.  Mankind’s links with other worlds was never shown so graphically.  Erich von Daniken hardly needed to build a thesis in Chariots of Gods (1968) about extraterrestrial influence on earthlings; it’s all demonstrated visually in the dogu !

The following excerpt, and the photos on this page, are taken from the superb yakimono.net (with thanks to Robert Yellin):

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Some of the most intriguing works from the Jomon period are clay figurines called dogu (pronounced dough-goo). There are many theories on what they were used for with the main agreement being they were a talisman for good health or safe childbirth. As many were excavated in fragments, it’s believed that after the wish was fulfilled, or not, the dogu was broken and thrown on the trash heap; that’s where many were discovered. Another theory is that these were goddesses to whom Jomon people prayed to for food and health.

Other explanations are toys for children, funerary offerings, or objects used in some unknown ritual. And, of course, there are those who believe they were aliens from outer space. Yet, if you look at similar primitive artifacts from around the world (the Valdivia culture of Ecuador, for example) there is a certain resemblance that can’t be explained in logical terms. It might have been part of the collective consciousness of the times though, or did earth in fact have space-suited visitors from a distant galaxy? The pictured dogu sure seems to fit the match!

Dogu were found all over Japan with northern Japan, the Tohoku region, yielding the most variety. Dogu first appeared in early Jomon but began to flourish in Middle Jomon through Late Jomon. (For a timeline outlining the development of Japanese pottery, please click here.)

Many of them have the distinctive Jomon rope-cord patterns while others have been intricately carved with arabesque-like designs.  Some in outer-space garb are known as the “goggles type” and no explanation is needed for that naming.  Whatever the markings, they are all eerily moving and can’t help but spark one’s imagination in wondering about life so many thousand of years ago, and the miracle it is today.

As Joseph Campbell once wrote: “Take, for example, a pencil, ashtray, anything, and holding it before you in both hands (in this case looking at dogu), regard it for awhile. Forgetting its name and use, yet continuing to regard it, ask yourself seriously, What is it? Its dimension of wonder opens, for the mystery of the being of that thing is identical with the mystery of the being of the universe, and yourself.”

Fuji celebration

The most sacred mountain in Japan has now achieved World Heritage status.  Apparently the delegates in Cambodia have given it official approval as Japan’s 17th World Heritage site.  It’s undoubtedly the most famous of them all.

Green Shinto friend, Ted Taylor, has a well-timed article today in the Japan Times, giving an overview of the cultural associations of the mountain, along with its role as a sacred symbol.  The cultural aspect was a key factor in the mountain’s registration and achievement of World Heritage status.

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Mount Fuji has long been an icon
BY TED TAYLOR  SPECIAL TO THE JAPAN TIMES   JUN 23, 2013

In the land of Yamato,
It is our treasure, our tutelary god.
It never tires our eyes to look up
To the lofty peak of Mount Fuji

—Manyoshu

'Sankin kotai' procession, on its way back from Edo and views of Mt Fuji (courtesy Japan This blog)

In 1635, the third Tokugawa shogun, Tokugawa Iemitsu created what was known as sankin-kotai (system of alternate residence duty). This required the daimyo (feudal lords) to reside for part of the year in the capital. Although the lords could return to their domains, they had to leave their wives and families in Edo in order to ensure their loyalty to the shogunate. The daimyo were made to use highways designated by the shogun, the best known of these being the Tokaido and the Nakasendo.

The Tokaido connected Kyoto with Edo, running along the seacoast of Honshu. The daimyo who traveled the highway did so accompanied by enormous retinues, as befitting their status. A prominent feature of the Tokaido would have of course been Mount Fuji, whose distinct shape accompanied the processions over a number of days.

With their elaborate road systems, the Tokugawa had also created a “culture of movement.” Pilgrims followed the Tokaido back and forth to the pilgrimage sites of Ise in what is today Mie Prefecture. This led to an increase in travel literature, both in the form of travel guides and ukiyo-e. The artist Hiroshige is the name most associated with the Tokaido, and his work “The Fifty-three Stations of the Tokaido,” stands as the best sold series of ukiyo-e prints. It is said of Hiroshige that he was “perhaps less an artist of Nature than of the culture of nature.” His colorful images helped place Mount Fuji at the center of the Japanese consciousness.

As Edo grew, so did Mount Fuji’s reputation. Helping promote this were the many Fuji pilgrims and pilgrimage associations, known as fujiko. Along with the prerequisite temples associated with these groups, they also constructed artifices know as fujizaka. These miniature Mount Fuji’s were constructed from rocks and plants taken from the mountain itself. Soil from the actual summit of Japan’s highest mountain was placed on the summit of the fujizaka, in order to harness some of the spiritual power of the volcano.

Many pilgrims no longer had to go to the mountain, as the mountain had now come to them. At the height of the Edo Period (1603-1867), there were more than 200 fujizaka, and none have been constructed since the 1930s. Fifty-six survive today, including those at Teppozu Inari Shrine in Tokyo’s Hatchobori district, and Hatomori Shrine in Sendagaya.

During their stay in Edo, the daimyo lived in large estates across the capital, many of which had extensive grounds. More than one daimyo had a small hill known as a fujimizaka built upon the grounds in which to climb and observe Mount Fuji.  Since the earliest times, mountains had been climbed in order to survey the land.  These viewings were ritualistic, but also had certain political motives, as it was a symbolic controlling or pacifying of the land. A good example is at the Hama-rikyu Garden in Tokyo’s Chuo Ward.

The term fujimizaka is also shared by many of the hills around the city.  Meaning literally hill from which to see Fuji, these spots had traditionally offered the best views of the mountains.  Sadly in modern Tokyo, these views have been disappearing, with the coming of the modern high-rise.  The final possible view of the mountain, albeit a modest section of Fuji’s northern slope, is about to be lost to yet another construction project.

Along with the fujiko and their fujizaka, ukiyo-e served as the third form of media that led to the urban appreciation of Mount Fuji.  Hiroshige’s contemporary, Katsushika Hokusai, found the mountain to be his greatest muse, publishing two great works of the subject.  His “One Hundred Views of Mount Fuji” set the mountain as a common feature across the Edo landscape — on the horizon, between buildings, through a window — emphasizing the relationship between the lair of the gods and the shogun’s city.  The face of Hokusai’s Fuji is seen from every angle, with the commonality between them all being Hokusai and the viewer.

With the fall of the Shogunate and the end of the feudal period in 1868, “Westernization” came into vogue, and traditional Japanese arts and crafts were considered old-fashioned and hackneyed. Ukiyo-e had lost their value to the point that they were used as packing materials. In this way, they came into possession of Europeans, and served as a source of inspiration for the impressionist, cubist and post-impressionist art movements. Claude Monet was particularly influenced by the strong colors and lack of perspective, and Vincent van Gogh was known to have owned a copy of Hiroshige’s “53 Stations of the Tokaido Road.”

Mount Fuji as a common motif of ukiyo-e was thus exported through these prints to become an understood icon of Japan. European travelers of the period longed for their first shipboard view of the mountain, which no doubt signified the end of a long sea voyage.

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For more on the sankin-kotai (alternative residence system of the daimyo), see here.  For Hokusai’s images of Fuji, see here.  For the Wikipedia page on his 36 Views of Fuji, see here.

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Dragon ascending Mt Fuji, from Hokusai's "One Hundred Views of Mt Fuji'

 

Fuji worship

 

It’s a very auspicious Summer Solstice this year, for Mt Fuji is poised on the very brink of World Heritage registration, with the relevant Unesco members gathered in Cambodia and ready at any moment to give it the nod.  It’s not being registered as a Natural Heritage, because of the various environmental problems, but as a Cultural Landscape based on its long tradition as a sacred mountain and for the inspiration it has provided for artistic expression.  In this respect, the Japan News (former Daily Yomiuri) has an interesting article today looking into the small Fuji-ko sect.

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Daisuke Tomita / Yomiuri Shimbun Photographer  (credited for all photos on this page)
FUJI-YOSHIDA, Yamanashi–

In early June, people dressed in white religious garb gathered at a shrine located at the northern foot of Mt. Fuji.

They are ascetic devotees belonging to one of Fujiko groups—religious associations that worship Mt. Fuji. In front of them was a bonfire, and the devotees began putting boards, called saiboku, into the fire one after another.

On the saiboku, people’s wishes for good health and business success were written. It was a holy ritual to relay people’s wishes to the god of the mountain. The saiboku burned instantly and smoke soared into the sky.

Then a man facing the bonfire began chanting the mantras of his Fujiko group.  Hot air blew toward him, but Yoshitsugu Saito continued his sonorous chants.

Saito, 82, joined the group about 60 years ago after being seriously injured in an accident. Since then, he has undertaken various ascetic practices and maintained a clean-living lifestyle, which is a tenet of Fujiko associations. He has visited Mt. Fuji numerous times from his home in Kanagawa Prefecture, and he has climbed the mountain–from the base to the summit–nearly 50 times.

Inside one of the caves of Mt Fuji - returning to the womb of mother Earth

Mt. Fuji is expected to be officially registered as a World Heritage site at the UNESCO’s World Heritage Committee meeting in Phnom Penh.  The meeting began on June 16 and will be held until Thursday.

Mt. Fuji has been recognized for its cultural value as a holy mountain worshiped by people since ancient times. Its constituent property includes the five lakes around its base and the surrounding shrines, caves and trails.

One day, Emiko Ozawa sent off ascetic devotees from her lodge near Mt. Fuji. Ozawa, 68, gracefully knelt at the entrance and placed her hands on the floor. “We wish you a safe journey,” she said.  The Zuzuya lodge has a history of more than 400 years. The lodge is one of the “Oshi-no Ie” lodges, where ascetic devotees learn the principles of Fujiko and receive instruction on safe climbing.  The lodge also serves food to visitors.

During the Edo period (1603-1867), the current Fuji-Yoshida area was flooded with ascetic devotees and there were more than 80 such lodges. However, only a handful of them remain today.

Ozawa’s son and the 20th generation master of Zuzuya, Terunobu, 38, said: “I’m resolved to maintain the culture [of Oshi-no Ie] as long as ascetic devotees visit our lodge.”

I had an opportunity to enter Yoshida Tainai Jukei, a cave created by a large eruption of Mt. Fuji in 864. It was a narrow and damp cave that I could only enter by crouching.

The cave is known as a sacred place and carefully protected by local residents. There is a small shrine at the back of the cave and in the past, ascetic devotees entered the cave to “purify” themselves before climbing Mt. Fuji.

After visiting, I felt as if I could sense the breath of the people who offered prayers to Mt. Fuji.

 

The Saiboku ritual of the Fuji-ko sect (courtesy Yomiuri Shimbun)

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