Author: John D. (Page 191 of 202)

The mystery of bottomless ladles

Ladles at Sangoji in Yamanashi Prefecture (photo by Alice Gordenker)

One comes across all kinds of intriguing items at Shinto shrines.  The picture above provides an example.  What on earth could these ‘holy’ ladles have to do with Shinto!

The answer is rather difficult to guess, but in its way it makes sense.  It’s to do with giving birth (anzan kigan in Shinto parlance.)  Since water passes easily through the bottom of the ladles, they are considered a kind of sympathetic magic so that babies pass easily out of their mother’s wombs.

For further information about practices to ensure safe birth, take a look at this article in today’s Japan Times.

http://search.japantimes.co.jp/cgi-bin/ek20110920wh.html

Poetry Day (Sept 24)

World Poetry Movement Day Sept 24th

24/9 will be a worldwide day of poetry reading, honoring & celebrating life love peace justice; our human condition, our presence for needed change; our songs, our poems, our tears, our cries, our laughter.

Come join Kyoto Poets, & poets all over Asia & The World, & read your own &/or your favorite poems/songs. Read to yourself, to others, to family, to friends, to groups, to gatherings of whatever kind. Read to the wind the sky the silence; the clouds the waters the trees; the rocks the stones the springs the earth; the waves the rivers the mountains the foam the seas; the ocean of night the lights of day the dark radiance;  star bright sun beams breath gaze.

Read to each other: to children plants animals; soaring birds of prey & song, all the life in the waters the deep, on earth in dirt in mud. Green Terra, Gaia blue//green.

24/9 Kyoto Poets (& poets throughout Japan) will read wherever we are, wherever we can: in homes, schools, parks, train stations, bus stops, bars, clubs, prisons, love hotels. If the weather is not too howling bad, we’ll read on the riverside- the banks & flats of the KamoGawa. Come join in!!!

Late afternoon/early evening we’ll also gather just south of the Marutamachi Bridge for reading music fun. Come!!!  We are like paper lanterns floating by on flowing waters on this our river of life & consciousness & fears & hopes & needs & loves & dreams.

Come join in & read our/your essential poems songs sagas. Wherever you are, whatever you’re doing Come in & join with us on 24/9 World Poetry Movement SunDay.

Kyoto Poets thanks you

See you Feel you Hear you

World Poetry Movement 24/9 Day

[For further infromation contact A.J.  ajinkyoto@gmail.com]

 

The Tao of Shinto (The Way of the Kami)

In prehistoric times immigrants flowed into Japan, sometimes in a trickle and sometimes in a flood.  They came for the most part from Korea and China, the bulk flowing through the Korean peninsula which lay under Chinese influence.  The result was that elements of Korean shamanism and Chinese folk beliefs entered Japan.  The former made itself felt in miko shamanism and the rock worship that is such a striking feature of Shinto.  The latter had an even more profound impact.

Rock worship – from Korea?

Chinese folk belief comprised a mixture of nature spirits and ancestor worship.  It was based on a lunar/solar calendar, which was adopted in Japan, and celebratory festivals which sought to harmonise the human and spirit worlds.  This was the bedrock out of which Taoism developed.  It was the same bedrock out of which Shinto developed.

It’s hardly surprising then that proto-Shinto and early Taoism share much in common.  Even the name. “Shin-to” (kami-way) was the Japanese equivalent of “shen-tao”, the Chinese Way of the Spirits. Kuroda Toshio, the Japanese scholar, suggested that the first usage of the word ‘Shinto’ in Nihonshoki (720) was in effect intended to signify a Japanese form of Taoism.  You could say, in fact, that Shinto was the Japanese ‘Way’, in contrast to bukkyo (the teachings of Buddhism).

One mountain, many paths
Here are some traits of early Taoism, which are echoed in Shinto.

* Sacred mountains and retreat into caves

* Veneration of swords and mirrors as religious symbols.

* An intuitive response to the world

* Suspicion of words and rationality

* Lack of dogma and doctrine

* Fluid, vague and contradictory

* Appropriated by rulers to legitimise their rule

Cave worship Shinto style at Kamikura Jinja (Shingu)

 

Religious Daoism
Over time Taoism and Shinto developed in different directions.  Taoism took off into individual transformation, the search for immortality and the aligning qi energy between the triad of heaven-human-earth.  What had started off as a philosophy was turned into a religion.  This was introduced to Japan in a big way in the seventh and eighth centuries after it had become established as a state religion in China.

With the import of Taoism came yin-yang ideas, the Five Phases, divination, astrology and fortune-telling techniques.  In 604 Japan adopted the Chinese calendar and issued the 17 Article Constitution (17 derived from adding the largest yin number eight to the largest yang number, nine).  One of the imported concepts involved the use of Tenno (Heavenly August One), to signify that a ruler had the mandate of Heaven.  The title was adopted by the Chinese emperor in 674 and by his Japanese equivalent not long afterwards.

From as early as 675 Japan had a Ministry of Yin-Yang (Onmyoryo) which advised the government on affairs of state. Decisions were made according to the alignment of the stars, feng shui and complex divination techniques.   Wizards of Yin-Yang (onmyoji) continued to play an influential part in the life of the ruling class.  The ‘Merlin of Japan’, Abe no Seimei (921-1005), is a prime example.

Purification rites like this derive from Taoist influence

All these developments took place while Shinto as we know it was being shaped by the ruling class.  As a result the imported ideas had a huge impact.  It’s reckoned, for example, that 60% of modern Shinto ritual derives from Taoist and Yin-yang practice.  The purification rites, for instance.  Festivals like 7-5-3 and the throwing of beans at Setsubun.  Yakudoshi (years of misfortune).  The veneration of swords and mirrors.  The divination and fortune-telling, too.  Even the very structure and naming of Shinto’s holiest shrine, Ise Jingu (jingu derives from a Taoist term for a hall of worship).

In essence, you could say that Shinto remains the closest Japan has to the ‘Way’.  Shen-tao developed into Shinto.  Even now, even after the Meiji reforms stripped away onmyodo and the ecstatic side of the religion, there lies a Taoist heart beneath the Confucian concern with correctness and hierarchy.  It’s found in the folk practices of Shinto.  It’s found above all, in the wild abandon of Shinto festivals and the cult of sacred mountains.  The way of the kami may not be the Way, but it’s close.

Yin-yang symbol

Triple tomoe - Shinto symbol

 

 

(For further reading, see ‘Shinto and Taoism in early Japan’ by Tim Barrett in Shinto in History: Ways of the Kami by Mark Teeuwen (Editor) John Breen (Editor) (Author).  Also Kuroda Toshi’s ‘Shinto in the history of Japanese Religion’ tr. by James C. Dobbins and Suzanne Guy which is available on JSTOR.)

Tsubaki America (Part Two)

After a tour of the shrine grounds (see Part One), Barrish sensei and I moved towards the entrance of the shrine buildings before which stands the temizuya (water basin).  It’s not often at a Shinto shrine you get to see the instructions for the ritual washing in English.  Nor indeed will you find many shrine bells inscribed with the name of a foreigner.  In this case the name of the foreigner just happened to be mine!

The Haiden (Worship Hall) is a large spacious room of tatami, which is used four times a week for people to train in aikido.  At the altar are all the trappings one would expect, though in more pristine form than one finds in older shrines. The main kami enshrined are those of Tsubaki in Japan, namely the mythological figures Sarutahiko-no-O-Kami and his wife Ame no Uzume.  In addition, there are four other kami here, including protector of the N. American continent, America Kokudo Kunitama-no-Kami.

Mirror, drum, triple tomoe and other shrine trappings

Shrine operations
Before getting an oharae purification from Rev. Barrish, I went upstairs with him for an informal chat and took the opportunity to ask a few questions. How had he managed to set up such an impressive shrine? It seems he invested savings from his aikido teaching (he has an international reputation, having introduced the martial art to the Soviet Union in the 1980s).  Through dedication and hard work he’s managed to build up the shrine to where it’s now financially independent.  There is too a solid base of supporters: rather than the ujiko parishoners on which Japanese shrines rely, there are some 450 ‘sukeiya‘ who form the shrine membership.  Most are non-Japanese.

I thought perhaps that Japanese-Americans would comprise the bulk of shrine-goers, as in Hawaii, but it seems that nearly half the visitors are in fact Japanese nationals, temporarily in the U.S. for one reason or another.  How did they react to a Caucasian priest, I wondered? ‘Once they experience Oharae and Go-kito-kigansai, they are always very happy,’ came the answer.

Cultural exchange

Shinto in the West
Amongst other topics covered was the matter of Shinto’s appeal in the West, which we agreed has much to do with its positive and life-enhancing quality.  For myself I see it developing in the direction of spiritual practice, much as Daoism has done in transferring to the West, whereby individual faith replaces communal tradition.  For his part Barrish sensei pointed out that gatherings like New Year, 7-5-3 and the annual festival draw large groups of people. Moreover, shrine supporters often practise other faiths.  One notable member, for instance, is a bishop in the Greek Orthodox church.

The use of language
One point that intrigued me was the retention of Japanese terms for everything. Wasn’t the profusion of words like omamaori, ofuda, kamidana, gohei, oharae, temizuya etc etc overwhelmeing for anyone not familar with Japanese?  How could Westerners cope with longwinded names like Ame-no-Murakumo-Kukisamuhara-Ryu-O?  Surely it would be easier and more accessible to anglicise everything, I proposed.

Barrish’s response was that much gets lost in translation and that English words are culturally loaded. Temizuya for instance is more than a water basin, and ‘spirit-body’ carries altogether different connotations from goshintai. It reminded me how Catholic missionaries in the sixteenth century ran into catastrophic problems trying to translate Christian terms into Japanese, for the words they used were Buddhist.  God for example was translated as Dainichi.  As a result, people thought the missionaries were simply a new sect of Buddhism.  

Drumming up the spirits

Green Issues
So what about the political and environmental dimensions of Shinto?  What for instance are Westerners to do about reverence for the emperor which the official face of Japanese Shinto is keen to promote?  Rev. Barrish said he took a non-commital stance on the issue.  One of the shrines I visited in Hawaii had replaced Japanese patriotism and reverence for the emperor with American patriotism and reverence for the president.  I wondered if that was a possible direction here too, but Barrish said he had no interest in it.  Rather he was drawn to the environmental aspect of Shinto and was thinking of celebrating Earth Day with raising the Earth flag. Green Shinto gives that a big thumbs up.

Final rites
Following our discussions, there was a short interval while Rev. Barrish donned his ritual attire and we proceeded downstairs to the shrine where he performed a purification ritual, complete with the loud banging of a drum to signify beginning and end.  Following the three-fold sweep of the haraigushi (purification wand), there was a recital of norito prayers in Japanese to preserve the ‘word-magic’, or kotodama.  It marked a satisfying conclusion to a stimulating visit.  The Tsubaki Shrine is a pioneer of historic significance, run by a non-Japanese and catering to Japanese and non-Japanese alike.  Will it prove to be a unique experiment, or the model for many more to come? Either way, here is history in the making…

Stained glass showing the kami Sarutahiko bridging the divide between Japan and the US

 

Karasu Sumo at Kamigamo Shrine (9/9)

Priests hopping and cawing like crows.  Seven year old kids doing sumo.  What’s that all got to do with Shinto, you may wonder?

Priest crows gone hopping mad?

Baby sumo wrestlers

 

Kamigamo Jinja is Kyoto’s greenest shrine and probably the oldest.  It was established by the Kamo clan long before Kammu founded the capital in 794.  One of the clan, according to legend, helped guide Emperor Jimmu across Kii Hanto and was known as yatagarasu (the three-legged crow).  (See https://www.greenshinto.com/2011/07/25/yatagarasu-the-three-legged-crow/)  Personally, I take this to mean he was a shaman of the Crow People, who settled in Kyoto after immigrating from Korea.  Their descendants still live in the area around Kamigamo.

At the festival the priests sit in front of two mounds of earth, which represent the sacred hill onto which the shrine’s kami, Kamo Wake-ikazuchi, first descended.  The hill, known as Koyama, lies north of the shrine and every year there is a secret ceremony there to reenact the shamanic rites of old.

But why are there two mounds?  Interestingly, this recreates the two mounds that stand permanently inside the middle torii.  Priests at the shrine say that they represent yin and yang, but they could well signify the theme of renewal in Shinto.  At Ise, for instance, a new shrine is built adjacent to the old shrine for the kami to move into.  Perhaps the two mounds here act in similar symbolic manner.

The day’s rituals start with the offering of chrysanthemum flowers at 10.00, following which participants proceed from the worship hall to the arena.  A colourfully costumed young girl representing the historical saio (imperial princess) presides over events.  The initial rites include the shooting of arrows to dispel evil spirits, after which two of the priests do their crow performance.

Priest with bow arrives to fire off the purification arrows

 

The climax is the children’s sumo, put on for the entertainment of the kami.  There are two teams, and each boy gets to wrestle two times.  The atmosphere can become quite heated, and the crowd usually gets behind the little toddler struggling against a bigger opponent.  Cameras flash from all directions.  By the end you may feel just as happy as the kami that this ancient tradition has been preserved so long.

Ready...

Go!

 

And a clear winner

 

Full moon viewing (Jugoya at Shimogamo Jinja)

An expectant audience, faced towards the east

Gagaku performance to accompany the moon

 

Ah, the joys of living in Kyoto!  Not a week passes without a special event of some sort, and most weeks there are several.

Yesterday was the night of the September full moon, or harvest moon, by tradition the most beautiful of the year. The custom of moon-viewing parties is said to have been introduced from China in the eighth or ninth century, with aristocrats staying up all night to drink saké and write poems.  Now there are festivals at several shrines and temples.  My local shrine, which just happens to be a World Heritage Site, holds events from 5.30 to around 8.30, by which time the moon has risen above the eastern hills to emerge triumphantly over the tall trees of Tadasu Wood.  There must have been some six to eight hundred people inside the shrine compound, and it was still only half full with plenty of room to walk around – which just goes to show how large the major shrines are.  Despite the relatively small population, they built on a huge scale in the past to show the splendour of the kami.

Full moon rising

 

Here was all the elegance and grace of Heian-era Kyoto, with beauitfully attired gagaku musicians, stately kagura dancers, koto players, and a tea ceremony served by miko.  The eerie sound of the shakuhachi accompanies the ascent of the moon god, and sat in the compound watching the magical appearance of the shining orb through the layered banks of clouds one is reminded of the wonder of life and how strongly earlier generations were attuned to the movements of the sky.  Shinto places much emphasis on the sun goddess, but the dark mysteries of the moon are no less worthy of celebration.

You always find something intriguing at Shinto festivals.  In this case I was startled when after a gagaku rendition of otherworldly spirituality, a group of koto players played something oddly familiar – Holst’s Jupiter!  Hardly traditional, you might say, and a bizarre upstaging of the moon though no one else seemed to find it incongruous. I also noticed a woman producing rabbits out of a basket.  Not a magician, she told me, but she’d come along because it was the year of the rabbit and she kept a troupe of twenty at home.  I couldn’t help wondering what she’d be bringing next year!

Offerings include Mitarashi dango (the local sweet soy 'dumplings')

Elegantly attired gagaku musicians

 

 

 

 

 

 

 

 

 

Anyone for tea?

It's the year of the rabbit!

Tsubaki America (Part One)

Main building

With the Rev Barrish

 

For years I’ve been intrigued by the Tsubaki Grand Shrine of America.  Here, uniquely, is a fully-fledged Shinto shrine run by a non-Japanese priest under the auspices of Tsubaki Shrine in Mie prefecture.  As you can see in the picture, it has all the conventional features of a Japanese shrine though with an original style of architecture. Shinto-style trappings abound, and only the bilingual nature of explanations betrays the location, set as it is in the depths of Washington State less than an hour by car from Seattle.

Driving down some broad country roads, one passes all of a sudden a torii.  No doubt few of those who pass give the gateway much thought, but once you turn into the driveway you begin to enter something of an enchanted world, for the road curves round and down a gentle slope toward an opening that nestles in the nook of the free-flowing Pilchak River.

Entrance to enchantment

But how did it come to be here in the first place?  It’s a question I put to the priest of the shrine, the Rev. Koichi Barrish.  ‘Kamisama fushigi,’ he replied (the mystery of the kami).  He first established a Kannagara Jinja here in 1992, born out of his work as a teacher of aikido, when he was offered land on which to build a shrine. After training during the 1990s at Tsubaki in Japan, he was licensed as a priest and in 2001 a decision was made to turn the Kannagara Shrine into an official branch of Tsubaki by combining it with the previously existing Tsubaki America Shrine in Stockton, California. (For more info. see the shrine website,  http://www.tsubakishrine.org/)

 

Driveway to another realm

 

Barrish sensei, as he is known, came to Shinto through aikido.  For myself, I come to Shinto out of love for the genus loci.  So it was with great delight that i found Tsubaki to truly sparkle with the spirit of place. This has much to do with the energising qualities of the river, that bends round the shrine as if in loving embrace.  The waters are crystal clear and come happily spilling down from the snow-capped peaks of Mt Pilchuk, bringing with them a pure freshness that radiates health and vitality.  All around the lush vegetation speaks of its life-giving nature.

The flow of kami essence

The shrine grounds are compact, but packed into them are a wealth of interesting items.  A stone lantern decorated with eto (Chinese zodiac); a sculpture of Sarutahiko (the main Tsubaki kami); an ema stand carrying votive tablets in both Japanese and English; a torii facing onto the river where misogi takes place; and a ‘happiness ball’ whose smooth stone surface you rub while praying to cleanse Shinto’s ‘six senses’.  ‘If you make your best effort each day with the heart of gratitude, happiness will come naturally into your life,’ runs the optimistic message of the accompanying noticeboard.

A path runs along the riverside past a small Inari shrine to a building where Barrish sensei lived in his bachelor days, and along the way is one of the most striking shinboku (sacred trees) I’ve come across. Standing on a small promontory of its own at the bend of the river, it seems to delight in the blessings of the nature it so evidently enjoys.  As Joyce Kilmer put it…..

I think I shall never see/ A poem lovely as a tree
A tree whose hungry mouth is prest/ Against the sweet earth’s flowing breast;
A tree that looks at God all day,/ And lifts her leafy arms to pray;
A tree that may in summer wear/ A nest of robins in her hair;
Upon whose bosom snow has lain;/ Who intimately lives with rain.
Poems are made by fools like me,/ But only God can make a tree.

Tree of life

 

For Part Two of this article, please click here.

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