Author: John D. (Page 69 of 202)

The Art of Peace

Morihei Ueshiba in1939 (Wikicommons)

Morihei Ueshiba in 1939 (Wikicommons)

As the new year beckons, let’s hope that it ushers in a year of peace in place of the hatred and warfare of recent times.  One man who realised the futility of aggression was the Shinto-inspired Morihei Ueshiba (1883-1969), who has been called ‘history’s greatest martial artist’.

The founder of aikido was born into a samurai family in Tanabe, Wakayama Prefecture.  As a child he learnt something of Confucianism and Shingon Buddhism, as well as training in martial arts.  He became the leader of a pioneer settlement in Hokkaido, and studied Daitō-ryū aiki-jūjutsu there.  He then joned the Omoto sect in Ayabe, near Kyoto, working as their martial arts instructor, before moving to Tokyo and opening his own dojo.

Ueshiba came to the realisation that violence only prompts more violence, and he therefore promoted what he called the Art of Peace. From 1942 until his death, he was based at Iwama in Ibaraki Prefecture and the town hosts the world’s only shrine to aikido. It’s a place of pilgrimage for practitioners, and the annual festival on April 29th features a demonstration offering to the kami and a ceremony performed by Omoto sect priests.

Ueshiba drew inspiration for his martial art from the principles of Shinto, and the quotations below are taken from a compilation of his sayings.  It’s a personal selection, which highlights the influence of Taoism (and thereby the closeness to Zen) in his thinking.  The lines are taken from The Art of Peace by Morihei Ueshiba, translated by John Stevens and published by Shambhala in 2002.

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Everyone has a spirit that can be refined, a body that can be trained in some manner, a suitable path to follow.  You are here for no other reason than to realize your inner divinity and manifest your inner enlightenment.

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All things, material and spiritual, originate from one source and are related as if they were one family.  The past, present, and future are all contained in the life force….   Return to that source and leave behind all self-centred thoughts, petty desires, and anger.

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Mountain riverNow and again, it is necessary to seclude yourself among deep mountains and hidden valleys to restore your link to the source of life.

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All the principles of heaven and earth are living inside you.  Life itself is the truth, and this will never change.  Everything in heaven and earth breathes.  Breath is the thread that ties creation together.

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Do not fail
To learn from
The pure voice of an
Ever-flowing stream
Splashing over the rocks.

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The Art of Peace originates with the flow of things – its heart is like the movement of the wind and waves.  The Way is like the veins that circulate blood through our bodies, following the natural flow of the life force.

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As soon as you concern yourself with the ‘good’ and ‘bad’ of your fellows, you create an opening in your heart for maliciousness to enter.  Testing, competing with, and criticising others weakens and defeats you.

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sacred regalia

A true warrior is always armed with three things: the radiant sword of pacification; the mirror of bravery; and the precious jewel of enlightenment.

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To practise properly the Art of Peace you must
• calm the spirit and return to the source
*cleanse the bod and spirit by removing all malice, selfishness, and desire
* be ever grateful for the gifts received from the universe, your family, Mother Nature, and your fellow human beings

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To purify yourself you must wash away all external defilements, remove all obstacles from your path, separate yourself from disorder, and abstain from negative thoughts.  This will create a radiant state of being.  Such purification allows you to return to the very beginning, where all is fresh, bright, and pristine, and you will see once again the world’s scintillating beauty.

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Loyalty and devotion lead to bravery.  Bravery leads to the spirit of self-sacrifice.  The spirit of self-sacrifice creates trust in the power of love.

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The Divine is not something high above us.  It is in heaven, it is in earth, and it is inside us.

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The Divine does not like to be shut up in a building.  The divine likes to be out in the open.  It is right here in this very body.  Each one of us is a miniature universe, a living shrine.

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(For a remarkable two-and-a half-minutes video of Ueshiba demonstrating aikido as an old man, please see here. For a 26 minute documentary, click here.)

 

The Aiki Shrine in Iwama, founded by Morihei Ueshiba

The Aiki Shrine in Iwama, founded by Morihei Ueshiba

Kyushu power spot

Steps to the shrineAs far as I know, there is no special celebration of the winter solstice in Shinto, preoccupied as it is with clearing away old impurities before the renewal of the year with Oshogatsu (New Year).  However, it seems important that the shortest day of the year be marked in some way, and a visit to a power spot, whether real or virtual, seems in order.  In this respect An article in Rocket News  celebrating a power spot in Kyushu has providentially drawn attention to itself.

And so this year the solstice spotlight shines on the grandly named but small and powerful Kamishikimi Kumanoimasu Shrine in Kumamoto Prefecture.

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Deep in the forests of Takamorimachi, a small town in Kumamoto Prefecture on Japan’s southern island of Kyushu, hides a humble shrine shrouded by trees and moss-covered greenery. Hailed as a “power spot” by the Japanese, Kamishikimi Kumanoimasu Shrine is a mystical destination for those looking to feel the earth’s energy and recharge their spirits, or to just take in the all the scenic beauty it has to offer.

Twitter has been abuzz about this particular shrine, and for good reason. Even before entering the forest you can tell something magical is afoot. Being there must make you feel like you’ve been spirited away to an enchanted scene straight out of a Ghibli film.   You can feel the serenity of the place just by looking at the photos; if you’re ever in need of a real good recharge, this is without a doubt the place to go.

“Now and again, it is necessary to seclude yourself among deep moutains and hiden valleys to restore your link to the source of life.” – Morihei Ueshiba

Path to Kyushu shrine

The approach – perfect example of Shinto animism

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The main shrine, or Honden

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The giant wind tunnel. This particular power spot attracts many visitors. (All images courtesy Cocopri)

Not far away are awe-inspiring giant cedars (courtesy Sakiko Yoshimoto)

And not far away are awe-inspiring giant cedars (courtesy Sakiko Yoshimoto)

(courtesy brainpickings)

(courtesy brainpickings)

Emperor’s mounds (verse)

The modest entrance to the burial mound of Kyoto's founder, Emperor Kammu,.  In the background is Hideyoshi's Momoyama castle (rebuilt in modern times in concrete).

The modest entrance to the burial mound of Kyoto’s founder, Emperor Kammu. In the background is Hideyoshi’s Momoyama castle (rebuilt in modern times in concrete).

In the south-east corner of Kyoto, between the railways stations of Tambabashi and Fushimi Momoyama, is a peaceful wooded area containing the burial mounds of the first and last emperors to reside in Kyoto.  In less than an hour, you can traverse over 1000 years of history.  There are historical associations and untouched nature, yet few people visit this parkland despite its proximity to the famous Fushimi saké area.

The Hailstones Haiku Group recently did an outing to the area, starting with the burial place of Emperor Kanmu, a mere fifteen minute walk from Tambabashi station.  Only the occasional jogger passes by to pay respects, but personally I find it an awe-inspiring site.  Firstly, as the founder of one of the world’s great cities Kanmu surely deserves the gratitude of those who have inherited the benefits of his visionary act in 794.

View of Kyoto

The city that Kammu founded in 794

Here is the man who pretended to set out on a hunting expedition while scouting for a new location for his capital just ten years after relocating from Nara to Nagaoka-kyo. Latest research suggests the site was prone to flooding, and so he determined to move again.

According to tradition, from the vantage point of Shogunzuka he looked out with Wake no Kiyomaro over the river basin of Kyoto and saw that geomantically it was perfect – mountains on three sides, a body of water to the south (Lake Ogura), rivers to east and west, and mighty Mt Hiei guarding the Devil’s Gate in the north-east.

A second reason for awe is that his grave, like others of its ilk, typifies the blending of ancestral worship and animism that form the twin pillars of Shinto.  In the planting of the corpse into the earth, and in the nourishing of the plantation that grows above it, is an interlinking of human and nature made manifest in the lush evergreen growth.  In this way the deceased evolves into the landscape, and the trees that reach up to heaven are imbued with human essence.  The posthumous spirit is thus transformed into a true spirit of place.  Ancestral and animist are one and the same.

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persimmon - Version 2

Sunlight spotlight
Kammu’s final resting place –
Ripe, ripe persimmon

Autumn leaves
Scattered in a wreath –
Kammu’s mound

 

 

A twenty minute walk through pleasant woodland brings one to the much more substantial grave of Emperor Meiji.  Here is evident the pomp and glory of State Shinto, as the Restored Emperor at the centre of the Meiji regime was given a full-scale burial designed to impress.  You only have to stand at the bottom of the huge stairway leading up to the shrine to realise the grandeur by contrast with that of Kammu.

Stairway to heaven  – the steps up to the burial mound of Emperor Meiji

Stairway to heaven – the steps up to the burial mound of Emperor Meiji

Meiji was born as plain Mutsuhito in Gosho (Former Imperial Palace), and a plaque there marks the site of his Parturition Hut. (Birth being considered a form of pollution was traditionally done outside the palace proper.)  He was the last emperor to be born in the city, and the last who could be considered a Kyoto man.  His father died when he was 14, making him emperor, he was ‘restored to power’ at the age of 15, shifted the capital to Tokyo and married at 16.  Quite a start to life by anyone’s standards!!

Previous emperors in the Edo Period had been buried at the Shingon temple of Sennyu-ji in south-east Kyoto, and the imperial cemetery there is known as Tsukinowa.  Meiji was something of a poet, and after paying respects at the grave of his father, Emperor Komei, he penned the following:

When I visited
The tombs at Tsukinowa
On my sleeves
Old needles from pines
Kept falling

Like Victoria, Meiji reigned over an age of astonishing changes – in industry, commerce, social composition, politics, foreign relations and military standing.   Small wonder that so many clung to him as the one unifying factor in such turbulent times.

On the evening of Sept 13, 1912, a cart decorated in gold leaf and lacquer, drawn by a team of oxen, left the Imperial Palace in Tokyo with a procession of people carrying banners, torches and ceremonial arms.  The coffin was loaded onto a train, which left in the cover of dark for the emperor’s state funeral and final resting place.  He had apparently asked specifically to be buried on the green hills that he remembered visiting from his childhood. The place was known as Kojosan (Old Castle Hill) because it was the site of Hideyoshi’s Momoyama Castle.  Now it’s known as Momoyama Goryo (Burial Mound).

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The burial mound of Emperor Meiji (1852-1912)

 Emperor’s mound –
The sound of birdsong
Like gagaku

Out of view, and discretely located to one side, is the burial mound of Meiji’s chief wife, Empress Shoken who died two years later.  She had no children of her own, whereas her husband had fifteen by his concubines, or official mistresses.  Unlike Jewishness, it’s the male line that counts in Japaneseness, and so she adopted the son of one of the other ‘wives’ and brought him up as heir apparent (later to become Emperor Taisho).

Empress Shoken burial mound

 

 

 Dead pine
At Shoken’s grave –
Ever green oaks

 

 

 

 

Not far away from the imperial mounds, just ten minutes walk, is the shrine of Meiji’s most devoted servant, General Nogi, who served as governor of Taiwan.

Nogi Jinja

Nogi was the last person (together with his wife) to commit junshi, ritual suicide to follow one’s master into death.  He first came to prominence in the Satsuma Rebellion of 1877 (known to filmgoers for the final battle in The Last Samurai).  In charge of the emperor’s banner, he was horrified when it was seized from him and he suicidally plunged into the enemy ranks to win it back until ordered to desist.

Nogi taisho

Count Maresuke Nogi (1864-1912), known in Japan as Nogi taisho (General Nogi)

After distinguished service against the Chinese in 1894, he was made commander of the forces who took Port Arthur from the Russians a decade later, thus helping cement victory against the Europeans in the 1904-5 war.  He was appalled however at the loss of life of those under him and sent a letter to the Emperor requesting permission to commit suicide.  Though the request was refused, he was apparently mindful of this when he and his wife took their lives in 1912 immediately following the funeral of Emperor Meiji.  Some praised him highly for epitomising Japanese values of loyalty and devotion; others saw it as a retrograde act of feudalism in a modernising age.

There are five Nogi shrines altogether, with the main one in Tokyo at the place of his suicide. The Kyoto shrine was built in 1916, and because of the general’s love of horses there are a pair in front of the Worship Hall overshadowing the komainu guardians.  There’s also a small museum of his life and a scene of his humble upbringing in Edo, as pictured below.

Last blue butterfly
fluttering behind grass –
thoughts of times gone by

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General Nogi as a youth (foreground) sitting with his mother receiving instruction from his strict father.

Shinto death 16: Postscript

A timely article recently appeared in the Japan Times about a subject which will be familiar to anyone who has seen Okuribito (Departures), the 2009 Oscar-winning film about Japan’s special funeral services.  The care and sensitivity with which the deceased are handled speak to basic Shinto values of purity, reverence and meticulousness.   (For the original article, see here.)


 

Sayuri Takahashi performs her skills in nokan — preparation of the dead before cremation — during a contest at the Life Ending Industry Expo in Tokyo on Tuesday. More than 200 companies doing businesses related to the end of life, such as funerals, are participating in the three-day exhibition. | AFP-JIJI

Sayuri Takahashi performs her skills in nokan — preparation of the dead before cremation — during a contest at the Life Ending Industry Expo in Tokyo on Tuesday. More than 200 companies doing businesses related to the end of life, such as funerals, are participating in the three-day exhibition. | AFP-JIJI


Japan’s death specialists converge at inaugural Life Ending Industry Expo

AFP-JIJI  DEC 9, 2015

Specialists in the fading profession of preparing bodies for funeral and cremation gave a rare glimpse of their skills at the opening of a Tokyo exhibition focused on the business of death and dying.

Practitioners of nokan — translated as “encoffinment” — took part in what organizers said was Japan’s first contest to demonstrate their techniques, as a pianist and a guitarist played peaceful, relaxing music.

Over 15 minutes, the contestants demonstrated their skill on Tuesday in dressing live models who laid still on a futon. Sayuri Takahashi knelt gracefully before a motionless female figure on the floor, gently maneuvering the arms and legs to dress her in a shirt, slacks and socks, with the light of artificial candles flickering behind.

PR shot from the film Okuribito

PR shot from the film Okuribito

The partially clothed model was covered with a robe to hide exposed skin, the favored way of dressing the dead to maintain modesty when family members are watching.

The competition was part of the inaugural Life Ending Industry Expo, which has attracted more than 200 companies in the business of death. The expo runs through Thursday.

The craft of the specialists, who are known as nokanshi, is declining in bigger cities but remains fairly common in rural areas. The work overlaps somewhat with that of morticians in Western countries, though in Japan embalming is rare and wakes and funerals are still sometimes held in the family home.

It came to worldwide attention in 2009 when the film Okuribito (“Departures”) won the Oscar for best foreign-language film for its depiction of an out-of-work cellist who becomes a nokanshi in small-town Japan.

“We wanted the public to know more about nokanshi as there weren’t enough specialists after the 2011 disaster,” said competition organizer Koki Kimura, referring to the Great East Japan Earthquake and tsunami in which more than 15,000 people died.

A panel of three judges examined not only how well the models were dressed but also how gracefully the nokanshi completed the process.  “The kindness and politeness toward the family of the deceased combined with efficiency are key,” said Shinji Kimura, one of the judges and an adviser to the lead actor in Okuribito. “We want to do our best for the final departure of the deceased,” said Kimura, who has 30 years of experience as a nokanshi. “So it should not be mechanical.”

Takahashi, the 27-year-old winner who was awarded a trophy and an undisclosed sum, said she started her job three years ago after learning about the profession following a death in her family where the body was tended to by a nokanshi.

“My relative’s face looked peaceful,” she said after the contest, adding that the Oscar-winning movie also inspired her choice. “I’m most happy when the family of the deceased tell me they’re grateful for what I did,” she said.

okuribito

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The full series of Shinto death postings are as follows:

Part 1: Overview
Part 2: Washing
Part 3: Offerings
Part 4: The Coffin
Part 5: Home rites
Part 6: The Wake
Part 7: Spirit Transfer
Part 8: Funeral rite
Part 9: Funeral procession
Part 10: Memorial rites
Part 11: Posthumous names
Part 12: Taboos
Part 13: Graves and afterlife
Part 14: Impurity
Part 15: Summing up

Gokonomiya Shrine (Kyoto)

KomainuGokonomiya Shrine is not one of the better-known shrines of Kyoto, though in any other town it would certainly be a focus of attention.  It was first mentioned in 862 as having been restored – which means it dates from an earlier time.  It is said to have been built on the site of an imperial villa (Kyoto was founded in 794).  The imperial connection is reflected in its enshrined deities, the legendary Empress Jingu and Hachiman (also known as her son, Emperor Ojin).

Ritual for a first shrine visit for a baby (Hatsumiyamairi)

Ritual for the first shrine visit of a baby (Hatsu miyamairi)

According to the noticeboard at the shrine, spring water gushed out of the land in 863 with a particularly fresh aroma – hence the name of the shrine, which could be translated as Shrine of Fragrance.  The water acquired a reputation for its protective and curative properties, and it is still treasured by parishioners who bottle it for home consumption.

Though the spring dried up in Meiji times, it was restored in 1982 and in one of those typical Japanese listings, it’s now included in the top 100 natural water sources of Japan.  Unsurprisingly, the shrine has close relations with the nearby saké breweries which were established in Fushimi because of the purity of the underground water.  Kizakura and Gekkeikan are the best known.

The shrine’s entrance gate was relocated from Fushimi Castle in the early Edo period, but the pride of the shrine is its fine Momoyama colouring.  The Honden (Sanctuary) was built in 1605 and the Haiden (Worship Hall) in 1612.  The bright distinctive paintwork, with its colourful decorations, were renewed in 1990.

In modern times the shrine served as headquarters for the Satsuma Clan at the Battle of Toba-Fushimi (1868), though fortunately suffering no damage.  Other items of interest include an astonishingly vigorous ‘sotetsu’ tree, normally associated with tropical climes, a collection of rocks that once belonged to Hideyoshi’s Fushimi Castle, and a stone garden by Kobori Enshu.  There’s also a white horse statue standing ever ready for the kami to mount, and an Ema Hall with some fine old votive plaques donated by various groups in the past.

In the past the shrine was visited by the likes of Hideyoshi and the emperor.  It’s said many from the Tokugawa lineage used the protective spring water for their baby’s first bath.  People of Fushimi are said to be very attached to their shrine, and the grand festival which lasts nine days is of greater importance to locals than even the grand Gion Festival.

Gokonomiya may not be among the city’s most prestigious shrines, but it’s well worth a visit and there are quiet corners of the large shrine where one can sip the curative water at peace and perhaps write a haiku or two. as suggested by a stone monument commemorating Basho and Kyorai’s poetry here in 1694).  The first is by Basho  and the reply by Kyorai (tr. Blyth).

In the plum blossom scent
the sun pops up —
a mountain path

‘Yes, yes!’ I answered,
But someone still knocked
At the snow-mantled gate

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Acquiring a taste for sacred water at a young age

Acquiring a taste for sacred water at a young age

Tied up but ever ready – the Gokonomiya white horse

Tied up but ever ready – the Gokonomiya white horse

The magnificently fertile 'sotestsu' tree – testament to the potency of the water

The magnificently fertile ‘sotestsu’ tree – testament to the potency of the water

The ghostly outline on an ema donated to the shrine in the past

The ghostly outline on an ema donated to the shrine in the past

 

Shinto death 15: Summing up

Entering into a better world

Entering into another world

This is part of an ongoing series about the Shinto way of death, adapted with permission from an academic article by Elizabeth Kenney.  It shows how traditional Shinto arrangements differ from those of the Buddhist funeral.  Though the research was carried out in the 1990s and some of the information is dated, the fundamentals still apply.  For the original article, see Elizabeth Kenney ‘Shinto mortuary rites in contemporary Japan.’


Conclusion
The Shinto funerals of today’s Japan are part of a crowded religious landscape unimaginable to the Edo Shintôists who first created funeral Shinto. Buddhist funerals are the norm, and most Japanese people find comfort in the familiarity of Buddhist rites. But the dominant position of Buddhism in the funeral establishment inevitably inspires opposition in a few Japanese.

Buddhist graveyard with Shinto torii

Buddhist graveyard with Shinto torii

Some of these people want to create a unique funeral that expresses their own vision of life and death.  A few others are no-nonsense consumers who want to save money. But for most people who have a Shinto funeral it expresses their religious, cultural or family identity more than anything else.

(After all, there is no need to turn to Shinto if one is primarily seeking to avoid Buddhism. “Non-religious” funerals are socially acceptable and increasingly common. They tend to be solemn affairs, with a director of ceremonies instead of a priest. Incense-offering may still be a part of these non-religious funerals.)

As this article has outlined, Shinto mortuary rites follow the course set by Buddhism: 1. preparation of the corpse; 2. wake; 3. funeral; 4. procession; 5. cremation or burial; 6. grave; 7. posthumous name and memorial tablet; 8. memorial rites.

All the same, it is important to remember that many of these funeral practices are not inherently Buddhist but Japanese: giving a last sip of water; washing and laying out the corpse; covering the kamidana; offering food; purification after the funeral; the mourning taboos; ancestor worship. In fact, the Buddhist funeral dictionary classifies all the activities just listed as “traditional customs”, not as Buddhist rites.

To the Buddhist (or popular religious) elements, the Shinto funerals add one remarkable rite: the transfer of the spirit of the deceased from the body to the memorial tablet. In other parts of the funeral process, Shinto actions or objects are substituted for Buddhist ones.

Through a series of functional substitutes (of which tamagushi for incense is the most noticeable), a set of distinct Shinto meanings is established. The ritual is in place, available to Shinto priests willing to perform it and lay people wanting it. Ritual questions are answered, but (and not only to the outsider’s eye) other sorts of questions — about impurity, the afterlife, and more — remain open to individual resolution.

Last rites

The tamagushi offering remains a distinctive mark of Shinto

Shinto death 14: Impurity

This is part of an ongoing series about the Shinto way of death, adapted with permission from an academic article by Elizabeth Kenney.  It shows how traditional Shinto arrangements differ from those of the Buddhist funeral.  Though the research was carried out in the 1990s and some of the information is dated, the fundamentals still apply.  For the original article, see Elizabeth Kenney ‘Shinto mortuary rites in contemporary Japan.’



Impurity
Shinto funerals embody a central tension: a profound aversion to the impurity of death juxtaposed with the necessity of close contact with the corpse. As Robert J. Smith writes, “At the most fundamental level, a Shinto funeral is a contradiction in terms. Shinto abhors pollution in any form — that being virtually its only tenet”.

Kamigamo Shrine, where some ten funerals a year are carried out

Kamigamo Shrine, whose priests carry out some ten funerals a year

One way of resolving the contradiction is to redefine impurity. When I asked two priests at Kamigamo Shrine how they could perform funerals, given the Shinto aversion to impurity, they responded by saying that the spirit of the dead is not polluted. In the funeral, they are dealing with the spirit, not the body, of the deceased. As it happens, these priests offered the same explanation Meiji reformers produced to justify the Shinto-style funeral for the emperor: the Emperor’s tamashii is pure and is separate from his body.

According to the priests, Kamigamo Shrine performs about ten funerals a year. This is not a large number for one of the nation’s major shrines. These Kamigamo funerals are performed mostly for the “shrine households” that live near Kamigamo Shrine and have been recognized as prominent patrons of the shrine for generations. Although the priests claim that pollution does not complicate a Shinto funeral, most Japanese people instinctively feel that death and Shinto should be kept apart.

Not all Shinto priests agree with their Kamigamo colleagues. A priest at a small shrine in suburban Osaka refuses to perform Shinto funerals, despite the fact that they are authorized by the Jinja Honchô (the central governing body for most, but not all, Shinto shrines). This priest, well into his eighties, said that people ask him to perform a Shinto funeral three or four times a year, but he always refuses. The reason? “Death is the most impure (kegare) thing.” For him, the matter is clear: Shinto must remain pure, separate from death.

Shinto funerals are not carried out in shrines, but in Buddhist cemeteries and elsewhere

Shinto funerals are not carried out in shrines, but in Buddhist cemeteries and elsewhere

Unlike this old priest, most lay people and many other priests often seem uncomfortable with the very word kegare and offer counter interpretations. One Jinja Honchô official explains that it is not a question of impurity or pollution; it is just that a shrine is a place for festivals and prayers to the kami, so people who have had a death in their family do not feel it is appropriate to go to a shrine.

In a similar fashion, quite a few Japanese people I interviewed resisted the notion of kegare (even telling me that there had never been any such notion in Japan) and preferred the concept of “mourning”. To them, it is a question of grief, respect for the dead, and proper restraint. It may be that the word kegare carries uncomfortable connotations of discrimination or superstition for some modern Japanese people.

When all is said and done, we must see that the polluting power of the corpse is still powerfully felt in Japan. The fact that Shinto funerals are never held within a shrine is testament enough to the force of kegare. A quick look at attitudes toward crematoriums and hearses demonstrates that Japanese people continue to shun the corpse.

Funeral hearse

The Japanese funeral hearse looks like a gilded temple on wheels

When asked what would be their response to a crematorium being built near their house, 69% of the 1,220 college students polled said they would “oppose it” . It is significant that even among college students, who might be expected to express “modern” views (whether or not they actually subscribe to them), there is a strong desire to avoid close contact with death and its processes. Another indication of the expulsion of the corpse from society is the fact that neighborhoods actually do mount organized protest campaigns against the construction of crematoriums or even funeral halls.

The Japanese hearse is a gorgeous vehicle. An elaborately carved rectangular structure is mounted onto the back of a black car. The hearse looks like a moving temple, with a curved roof and curling golden dragons. Beautiful or not, hearses are not welcome in everyday life. One hearse company is now called K.R. Company. The name of the company was changed five years ago, from Kobe Reikyû Jidôsha (Kobe Hearse). The workers’ families entreated the manager to change the name. Surely this is evidence of a deep uneasiness about death pollution. It is also another example of the magical power of words: avoidance of the taboo word “hearse” offers protection against the negative force of death.

A few years ago, K.R. Company bought a large plot of land and planned to use it as a parking lot for the hearses. The neighbors’ opposition has been so united and effective that the company has not been able to use the land. Understandably, the directors of the company feel beleaguered, since the very neighbors who don’t want a hearse parking lot next door will hire a hearse when they have a death in their family.

Wouldn’t Americans or Europeans also oppose a crematorium in their neighborhood? Yes. I have no doubt that the corpse is, if anything, even more abhorrent in the West. But Western notions of death pollution are a topic for another paper.

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