Tag: anime

Miyazaki anime and Shinto

Oceans, Forests, and Kami: Environment, Location, and Spirituality in Miyazaki’s Films By Anna Blagrove, University of East Anglia PhD Researcher

Anime director, Hayao Miyazaki. (pic by Alberto Pizzoli, AFP/Getty Images)

(The following is the outline of a longer paper which can be read in full at this link. For those interested in the subject, there are details about ecological themes in the films.)

Anna Blagrove writes: In this paper I examine how environment, space and place is used in the films of Studio Ghibli and to what effect. I link these ideas with the representation of traditional Japanese spirituality in the form of Shinto and Buddhism.

I argue that the narratives of Studio Ghibli’s films often have a strong sense of location, community, and harmony which is threatened by industry or pollution. Frequently there are spirits or kami, that communicate these themes. I refer specifically to My Neighbour Totoro, Spirited Away, and Ponyo whilst also commenting on the wider Ghibli filmography. I frame my arguments by focusing on the themes of environment, location, and spirituality in turn.

Through textual analysis, I examine how the characters (both human and magical), and narrative, as well as Ghibli animation aesthetics convey these themes. I review existing literature on the subject and access published interviews with Miyazaki to inform my conclusions.

Totoro, from the Miyazaki Hayao film – an exemplar of local folk Shinto? (courtesy fanpop.com)

I will look at the wider context of environmental issues in modern-day Japan, including urban sprawl and the threat of earthquake and tsunami. Finally I will draw some conclusions of the overriding ‘morals of the story’ relating to environment and spirituality.

Shinto  is the ancient indigenous belief system of Japan. Not as dogmatic as a religion, it is a set of beliefs that connect the past to the present. It has elements of ritual, folklore, and animism. Shinto is concerned with the interrelatedness of all things including nature and humans. It recognises that deities ( kami ) are inherent everywhere in the natural world, and the need to pay respect and worship at shrines ( jinja ) and their sacred gates (torii ) in places of natural beauty. Buddhism is intrinsically linked to Shinto but has more of a focus on the afterlife and ancestry.

The very special spirit of place on Yakushima was celebrated by Hayao Miyazaki in the anime film, Princess Mononoke

Anime mythology

koji2012In 2012, to celebrate the 1200th anniversary of Kojiki (712), NHK commissioned a version of the Hyuga cycle of myths, central to the putative descent of the imperial line from heaven.

The animator is award-winning Koji Yamamura, born 1964. He studied painting at Tokyo Zokei University, and his short films have been shown in over 30 countries.  He is currently sub-chairman of the Japan Animation Association (JAA) and visiting professor at various art colleges.

The subtitled short film gives a succinct and rather charming overview of the central Kojiki myths from the time of Izanagi, Izanami and the creation of Japan.  Following this comes the death of Izanami, the pollution of Izanagi as he defies taboo to visit her, and the subsequent birth of Amaterasu, Susanoo and Tsukunomikoto representing sun, sea-storm and moon.

The story then focusses on Susanoo’s bad behaviour and the resulting retreat of Amaterasu into the famous Rock Cave.  Following the festival to lure her out, light is restored and Susanoo expelled.  The narrative thereafter centres on Ninigi no mikoto, who descends to earth and marries the blossom princess, Konohanasakuya (called here Flowering Tree).

The children of Ninigi and his bride are known as Umisachi and Yamasachi, who harvest from the sea and from the mountains respectively.  Following a quarrel over a fishing hook, Yamasachi spends three years at the palace of the Sea God and marries his daughter, Toyotama.  Aided by the Sea God, he returns to confront his brother, who yields to him. (Though not mentioned in the anime, Yamasachi’s real name was Hikohohodemi no mikoto, grandfather of legendary Emperor Jimmu and thereby an imperial ancestor.)

The Hyuga cycle of myths can be viewed here.  Set aside 12 minutes to take a look – you may find it educational as well as entertaining.

Izanagi undergoes the primal misogi which led to the birth of Amaterasu, Susanoo and Tsukuyomi no mikoto from his facial orifices (nose and eyes)

Izanagi undergoes the primal misogi which led to the birth of Amaterasu, Susanoo and Tsukuyomi no mikoto from his facial orifices (nose and eyes)

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