Tag: Okuninushi

Japan by Train 16: Tottori

Hakuto Shrine, where the Hare of Inaba is enshrined

My next visit was to Hakuto Shrine, notable for enshrining a white rabbit. Not Alice’s white rabbit, of course. In fact, not a rabbit at all but a hare, as the Japanese language makes no distinction between the two. The Hare of Inaba is its name, and it appears in Japan’s oldest book, the Kojiki (712).

‘Do you know the story?’ my guide asked.
‘More or less,’ I said. ‘There was a hare living on Oki Islands which came to the mainland where it was skinned and tortured by some bullies, but rescued by a younger man, who is now known as the kami, Okuninushi.’
’Oh, you know very well,’ she said. Although the story is well-known, she had made a point of learning the details to explain to her customers. ‘The hare wanted to get to the mainland,’ she continued, ‘so it challenged some sharks to see which animal had more followers.’
‘On the Oki Islands, right?’
‘Yes. The cunning hare persuaded the shark leader to line up its followers all the way to the mainland so that they could be counted, then used them as stepping stones to hop its way across the sea.’

The rest of the story reads like a moral tale of animal rigts. When the sharks realised they had been duped, they seized the hare and tore off its fur in revenge. Then along came the sons of the Izumo king on their way to court a princess, and when they came across the poor hare pleading for help, they told it to wash in the sea and let the breeze dry it off, knowing full well the salty water and wind would bring more pain. However, the youngest called Onamuchi (aka Okuninushi) took pity on the hare and after the others left told it to use fresh water and wrap itself in healing medicinal leaves. Like all good folk tales, there was a reward for the hero when the hare revealed itself as a deity and granted to Onamuchi the right to marry the princess.

The Tottori coast where the hare successfully landed after stepping on the heads of sharks

Hakuto Shrine is sited next to the beach where the hare supposedly arrived onto the mainland. A small step for the hare, a big step for mythology. The nearby Mitarashi Pond is where it supposedly purified itself., and one way of decoding the story is to see it as marking the arrival of a ‘heavenly’ (I.e. undefiled) migrant clan from Korea.

Since animals sense the unseen better than humans, they are usually regarded in Shinto as mediators between this world and the other. Here, however, the hare is the main kami of the shrine. The colouring may have played a part in this, for Inaba hares turn white in winter, and white is a signifier of purity. It is an attribute widely shared amongst the religion’s sacred animals – white foxes, white snakes, white horses, white deer, white doves.

Purity underwrites the story in another way, as washing in fresh water suggests misogi, a Shinto practice involving ritual immersion in cold water. The purpose is to refresh and renew the human spirit, ‘polluted’ through being in a material world. The striving for purity has left a mark on modern-day Japan with its emphasis on cleanliness, reflected in the tendency for white cars, in politicians who wear white gloves, and in the readiness to wear white masks.

Next to the steps leading to the Worship Hall is a statue of a youthful looking Onamuchi together with the hare, and at the shrine office white stones are on sale for tossing onto the lintel of the torii for good luck. I watched my taxi driver throw a coin into the offertory box, ring the bell and do the standard two bows, two claps and one final bow. Afterwards I asked if she had prayed, and she told me she was making a wish for the health of her family. I wondered to what she had made the wish – kami, the white hare, God, Onamuchi? All of them, she said, everything in fact. The universe in general. Wonderful, I thought. The nameless mystery that has neither shape nor substance.

The myth is enshirned in rock at Izumo Taisha, with Onamuchi in white and his nasty brothers in blood red.
Japan’s cult of the cute is evident too in the accompanying white hares,
Okuninushi and white hare at Izumo Taisha. As in other primal religions, the animal familiar mediates between the mundane and the sacred.

Alternative Shinto (Okuninushi)

An Edo era picture of the kami of Japan gathered at Izumo for the kamiari celebration each autumn. How come they all gather at Izumo and not Ise?

“Depending on who speaks for or about it, Shinto may appear as an ancient folk tradition of personal prayers and communal festivals, as a nonreligious tradition of civic rites and moral orientations centered on the imperial house, or as a universal religion with ethical teachings.” – Jolyon B. Thomas in ‘Big Questions in the Study of Shinto’. Review of books for H-Japan, H-Net Reviews. November, 2017. The book discussed below by Yijang Zhong is entitled The Origin of Modern Shinto in Japan: The Vanquished Gods of Izumo (Bloomsbury Shinto Studies), 2016. ( Zhong is a professor at the University of Tokyo: see here.)

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Okuninushi, lord of Izumo, whose legacy may have been usurped by the Yamato lineage

Jolyon B. Thomas writes…

Zhong’s new book persuasively shows that there are many stories to tell about Shinto, and not all of them would position Amaterasu, Ise, and the imperial household at the center of Japanese public life. Rather than focusing on the mythology that prioritizes the legitimacy of the imperial house, Zhong reads past this “official” Shinto to focus on the lineage dedicated to Ōkuninushi and the Izumo Shrine (located in present-day Shimane Prefecture).

Like Nancy K. Stalker’s work on Ōmotokyō as an “alternative Shinto” in Japan’s imperial period (Prophet Motive: Deguchi Onisaburō, Oomoto, and the Rise of New Religions in Imperial Japan [2008]), Zhong’s book shows that modern Shinto has never just been the official cult of the Japanese state.  Zhong also shows that Izumo priests were able to successfully make the claim that Ōkuninushi was the only deity in Japan unambiguously associated with “pure” Shinto and not adulterated by Buddhist influence. This claim directly challenged the primacy of Ise and the imperial deity Amaterasu, who was still understood as a manifestation of the cosmic Buddhist deity Mahavairocana.

Zhong persuasively demonstrates in chapter 2 that it was Ōkuninushi, not Amaterasu, who received the lion’s share of popular attention during that time. This was based on a doctrine strategically generated by priestly lineages serving the shrine [in Edo Period} claiming that deities gathered at Izumo in the tenth lunar month to discuss marriages (en musubi). Their decision to conflate Ōkuninushi with the fortune deity Daikoku (one of the Seven Lucky Gods, or shichifukujin) also helped to boost the deity’s popularity, providing yet another challenge to Amaterasu’s authority.

Daikoku – conflated with Okuninushi because his name has the same Chinese characters

Chapter 3 in particular is an impressive argument that shows that modern Shinto came into being in response to external pressures and that National Learning (kokugaku) was inherently a response to the influx of Catholicism, Western astronomy and calendrical practices, and incursions from Russia to the north. Zhong focuses on the figure of Hirata Atsutane (1776–1843) and his 1811 book True Pillar of the Soul, which positioned Ōkuninushi as a cosmic deity with control over death and the afterlife; the book also rendered Shinto as a native epistemology that could hold its own in competition with foreign modes of knowledge.

In Atsutane’s rendering, Shinto became an indigenous tradition associated first and foremost with the terrestrial Ōkuninushi, while the solar deity Amaterasu assumed secondary status. Hirata’s disciples and Izumo priests rushed to disseminate the new doctrine throughout Japan even as political trends were shifting toward the “restoration” of the emperor to direct rule and the concomitant elevation of the imperial cult of Amaterasu. Despite his popularity, Ōkuninushi would eventually be eclipsed by the sun goddess.

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For a more in-depth review of the dissertation on which Professor Zhong’s book is based, please see this piece by Aike Rots.

For more about Izumo as an alternative centre of Shinto, see this previous posting.

Izumo Taisha, according to some site of the oldest shrine in Japan

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