Tag: sun goddess

Amaterasu’s gender

Amaterasu, sun goddess and putative ancestor of the present emperor

I have long been intrigued by the gender of Amaterasu because I grew up believing it was a matter of common sense that the sun was male and the earth female. The hot and active sun sends out rays, which like fructifying sperm fertilise the female into producing offspring. Hence the epithet Mother Earth and her depiction as a pregnant Earth Mother.

It was a surprise therefore to find that the sun in Japan was female and ancestress to the emperor. This went along with a male moon, which was even odder for if anything seems to embody yin and feminine attributes you would imagine it to be the moon.

From my readings I learnt that the sun as female was by no means unique to Japan. I also learnt from Mark Teeuwen in a talk to Writers in Kyoto that Amaterasu might well have started as male. Here is what I wrote in a previous posting:

“The shrine dates back to the late seventh century when an angry deity named Amateru (sic) disrupted the imperial household and was ejected, ending up at Ise. Mark T. believes that at this time the deity was male, and that it was only under the influence of Empress Jito (r.686-697) that the deity was feminised by Kojiki mythologisers in her honour (there are parallels between Amaterasu’s son and grandson with those of Jito).”

Now I have chanced upon a new angle on the matter, which comes from the Encyclopedia of Korean Folk Culture. Much of early Shinto came to Japan through Korea, and probably the whole Yamato imperial line, so it is interesting to see in this folk tale some gender shifting. Here follows an excerpt from the encyclopedia, topical because this is the year of the tiger!

A tiger ate up an old mother returning home after providing labor at a rich household, and after disguising himself with the mother’s clothes and headwrap, went to the home where the mother’s son and daughter were waiting and asked them to open the door. The brother and sister peeked out and realizing that it was a tiger, they ran out through the back door and climbed up a tree. The tiger climbed the tree after them and the brother and sister prayed to the heavens, upon which a metal chain was sent down for them and they climbed up to become the sun and the moon. The tiger tried to come after them on a crumbling straw rope, which broke and the tiger fell on a sorghum field and died. The heavens first assigned the brother as the sun and the sister as the moon, but the sister was afraid of the dark and their roles were switched. The sister, shy of all the people looking up during the day, illuminates with intense light.

Of particular interest are the variations of the tale (see here). The commentary notes that, ‘The variations seem to have been based on the instinct to adhere to the conventional association of the male with the yang energy and the sun.’ Interesting to see the ancients had the same reservations as myself!

I had a Japanese colleague once, a very bright lady, who simply assumed Amaterasu was male and was surprised to hear that she was worshipped as a female. As we move into an era of ‘fluid gender’ and debates about trans- and cis-, perhaps it is altogether appropriate for our time that Amaterasu be ascribed a role in both /all genders. Much like Inari, indeed!

A statue of Inari as fertile fermale. The deity is also sometimes portrayed as a wise old man. (near Fushimi Inari in Kyoto)

Thanks to Jonathan Swire, we also have input from Basil Hall Chamberlain’s collection of Ainu folk tales, which features a prudish Sun Goddess and a different kind of crossover, from night to day

Formerly it was the female luminary that came out at night. But she was so greatly shocked at the immoralities which she saw going on out of doors among the grass, that she exchanged with the male luminary, who, being a man, did not care so much. So now the sun is a female deity, and the moon is a male deity. But surely the sun must be often shocked at what she sees going on even in the day-time, when the young people are in the open among the grass.—(Written down from memory. Told by Ishanashte, November, 1886.)

Emperor’s night with Amaterasu

Symbolic night with ‘goddess’ to wrap up emperor’s accession rites

By Elaine Lies TOKYO © (c) Copyright Thomson Reuters 2019.
As published in Japan Today Nov 11, 2019

On Thursday evening, Emperor Naruhito will dress in pure white robes and be ushered into a dark wooden hall for his last major enthronement rite: spending the night with a “goddess.” Centered on Amaterasu Omikami, the sun goddess from whom conservatives believe the emperor has descended, the Daijosai is the most overtly religious ceremony of the emperor’s accession rituals after his father Akihito’s abdication.

Scholars and the government say it consists of a feast, rather than, as has been persistently rumored, conjugal relations with the goddess. Although Naruhito’s grandfather Hirohito, in whose name soldiers fought World War Two, was later stripped of his divinity, the ritual continues.

That has prompted anger – and lawsuits – from critics who say it smacks of the militaristic past and violates the constitutional separation of religion and state, as the government pays the cost of 2.7 billion yen.

WHAT HAPPENS?
At about 7 p.m., Naruhito enters a specially-built shrine compound by firelight, disappearing behind white curtains. In a dimly-lit room he kneels by piled straw mats draped in white, said to be a resting place for the goddess, as two shrine maidens bring in offerings of food, from rice to abalone, for Naruhito to use in filling 32 plates made from oak leaves.

Then he bows and prays for peace for the Japanese people before eating rice, millet and rice wine “with” the goddess.The entire ritual is repeated in another room, ending at about 3 a.m.

John Breen in 2011, researcher at Kyoto’s Nichibunken

Long a secret, the ceremony was re-enacted this year by NHK public television, an unprecedented move scholars say may have been a government initiative to dispel rumors.”There is a bed, there is a coverlet, and the emperor keeps his distance from it,” said John Breen of Kyoto’s International Research Center for Japanese Studies, adding that de-mystifying the ceremony could be a government defense.

“Kingmaking is a sacred business, it’s transforming a man or a woman into something other than a man or a woman,” he said, pointing to mystical elements in Britain’s coronation functions. “So the Japanese government’s denial that there’s anything mystical to it is bizarre, but the purpose is pretty clear – it’s to fend off accusations there’s something unconstitutional going on.”

HOW ANCIENT IS THE TRADITION?
Believed to have started in the 700s and observed for about 700 years, the ritual was then interrupted for nearly three centuries, a gap that Breen said led to the loss of much of its original meaning.

Although believed to have initially been one of the less important enthronement rites, the ceremony gained status and its current form from 1868, as Japan began to turn itself into a modern nation-state, unified under the emperor.

WHAT IS THE FUNDING CONTROVERSY?
At a news conference, the emperor’s younger brother, Crown Prince Akishino, wondered if it was “appropriate” to use public money, suggesting instead the private funds of the imperial family, which would necessitate a far smaller ceremony.

But Koichi Shin, the head of a group of 300 people suing the government to halt the ritual, and demand damages of 10,000 yen each for “pain and suffering”, says that would still not be satisfactory, as the private funds are still tax money.

With part of one lawsuit thrown out by the Supreme Court and another set for hearing after the rite, the court battle is mostly symbolic, as concern over nationalism and the emperor fades.

At then Emperor Akihito’s accession in 1990, protests were louder and bigger, including rocket attacks ahead of some of the rituals, while 1,700 people sued amid harsh media coverage.

“Emperor Hirohito was responsible for the war, but Akihito has done a lot to soften the family’s image,” said Shin, a 60-year-old office worker. “But I think showing these ceremonies on television solidifies the idea of the emperor as religion.”

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For those who wish to read in detail about the sacred space in Daijosai and its connection with Ise Jingu’s twenty year renewal, please see this article by Gunther Niitschke.

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